TOKYO GEIDAI JAPAN ART WEEK

THE BRICKS NYC: 漸 – zén – TOKYO GEIDAI JAPAN ART WEEK

Friday, September 8 through Saturday, September 16

Opening Reception and Live Performance: Friday, September 8 at 6:00 p.m.

Blue Gallery – 222 E. 46th Street (between 2nd and 3rd Avenues)

In collaboration with the Tokyo University of the Arts (known as Tokyo GEIDAI), THE BRICKS NYC will be presenting TOKYO GEIDAI JAPAN ART WEEK at the Blue Gallery. The week-long exhibition is the third for THE BRICKS NYC. Each year, organizers choose one kanji that represents the concept of the event. This year, they have selected 漸 (zen), which means “evolutionary” or “progressive.”

Along with New York-based artists, professors and postgraduates will represent the Crafts, Japanese Art, and Design departments from the diverse fields of study at Tokyo GEIDAI. They will showcase their modern Japanese works, which enhance traditional Japanese art techniques. Workshops, Japanese tea ceremony experience events, concerts, and a panel discussion will also be held during the exhibition period.

Related Events

Duo YUMENO ©Robert Essel

Opening Night

Friday, September 8 at 6:00 p.m.

Admission: Free

To kick off the exhibition, participating artists will be on hand at the opening reception. Duo YUMENO will perform live at 7:00 p.m.

Japanese Tea Ceremony Experience

Saturday, September 9

1:00 p.m. | 2:30 p.m. | 4:00 p.m. (Limited to 15 guests per session)

Admission:＄30 per person for each session

Tokyo GEIDAI with Morin Soma and Kino Maho from the Urasenke New York School will serve matcha in an elegant, modern setting inspired by the traditional Chakai style. They will use the finest unique utensils from the Japanese traditional culture of matcha drinking. Tea will be served with a small seasonal wagashi (confectionery) from Japan.

To register, please visit THE BRICKS NYC’s Eventbrite page and select your desired session.

Harvest Moon Melodies Art Song Concert

Sunday, September 10 at 2:00 p.m.

Admission: $20 Adults | $50 Families (Two adults and children) | $20 Students

"Otsukimi" is a Japanese tradition in September to appreciate the full moon and to express gratitude for this year’s harvest and hope for the year to come. GEIDAI graduates Soprano Naoko Nakagawa and pianist Junko Ichikawa present art songs and piano music with the themes of the moon and autumn. The program includes Japanese traditional folk songs and art songs as well as selections from famous operas. All ages are welcome.

Designer Nana Yamasaki (YAMMA) will provide costumes, and jewelry artist Keiko Kubota-Miura will provide jewelry and accessories.

To purchase tickets, please visit THE BRICKS NYC’s Eventbrite page.

JAA Maui Relief Fund Panel Q&A

Monday, September 11 at 7:00 p.m.

JAA Hall – 49 W. 45th Street, 5th Floor (between 5th and 6th Avenues)

Admission: $30 (Profits will be donated to the JAA Maui Relief Fund)

Special guest Yasunori Tanioka, a professor at the Tokyo University of the Arts, will lead a panel discussion based on the theme “Potential Roles of Japanese Art for Society.” Participating panelists include jewelry artist Keiko Kubota-Miura, Nihonga artist Takashi Harada, and composer Satoshi Kanazawa. The discussion will be in Japanese.

To register, please visit THE BRICKS NYC’s Eventbrite page.

Silver Leaf Workshop

Friday, September 15 from 6:00 p.m. until 9:00 p.m. and Saturday, September 16 from 1:00 p.m. until 4:00 p.m.

Admission: $250 for both days | $150 for September 15 only

Norihiko Saito, a professor in the Tokyo University of the Arts Department of Japanese Painting, will lead a two-day workshop focusing on basic application and advanced techniques using silver leaf. The workshop covers how to apply super-thin Japanese silver leaf on a painting. Saito will lecture about the decorativeness and understanding of "Ma” (space) in Japanese paintings. Participants can attend Day 1 only but must attend both days to complete their own hands-on work. Attending Day 2 only is not offered. Limited to 12 participants.

To register, please visit THE BRICKS NYC’s Eventbrite page.

Closing Event: Live Jazz and Sake Tasting

Saturday, September 16 at 6:00 p.m.

Admission: $30

The Yoshiki Miura Jazz Quartet will perform with special guest Asako Tamura (soprano). A sake tasting will be led by SAKE GENERATION Inc.

To purchase tickets, please visit THE BRICKS NYC’s Eventbrite page.

New York-Based Artists

Ushio Shinohara
Mizue Sawano
Keiko Kubota-Miura
Atsushi Ohashi
Takashi Harada
Rica Takashima
Mayumi Ohashi

Professors and Postgraduates from the Tokyo University of the Arts

Department of Crafts
Hiroki Iwata
Tomomi Maruyama
Hikaru Kamata
Yasunori Tanioka
Norihiko Ogura
Ryo Mikami
Nobuyuki Fujiwara
Nanako Yamada
Miyuki Imai
Mariko Saji
Ayumi Kubo
Heesoo Kim
Kie Imai
Shinnosuke Kameoka
Minako Nakai
Itsuki Hayano
Luwei Shan
Hiromu Noda

Department of Japanese Painting
Norihiko Saito
Killi Okaji
Naho Uno
Tianyi Chin
Kohei Sakamoto
Daisuke Takamori
Akane Yamamoto
Kumpei Yoshikawa
Department of Design
Kazuyuki Hashimoto
Manami Washino
Midori Takai
Yamamoto Hikaru
Shuri Tsuruta

TOKYO GEIDAI JAPAN ART WEEK is hosted by the Tokyo University of the Arts and THE BRICKS NYC with support from Tokyo University of the Arts Alumni Association of New York; Yoshino Gypsum Co., Ltd; Blue Building; WAON NY; het Lab Music & Arts; and SAKE GENERATION, Inc.

About THE BRICKS NYC

THE BRICKS is a nexus for arts and music comprised of Tokyo University of the Arts (GEIDAI) alumni. The alumni have been individually active in and around New York but decided to come together to launch THE BRICKS in the Fall of 2021. GEIDAI is the only national university in Japan that offers solely fine arts and music education, allowing the group to focus on celebrating the interdisciplinary mesh of different art styles.

The name "BRICKS” was inspired by red buildings on the grounds of Tokyo University of the Arts in Ueno, Tokyo. Commonly known as "Aka-renga,” the buildings have stood since the early Meiji era.

Generations of talented artists entered the history-filled bricks of the Blue Building, reminding alumni of a time when their community was filled with diverse musicians and artists.

For more information, please visit the group’s website.

Gallery Hours

Daily from noon until 7:30 p.m.
Except Friday, September 8 (open at 6:00 p.m.) and Monday, September 11 (closes at 5:30 p.m.)

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Oscar Oiwa to Exhibit METROPOLIS at NowHere

Oscar Oiwa METROPOLIS

Thursday, June 8 through Sunday, July 16
Opening Reception: Thursday, June 8 from 6:00 p.m. until 8:00 p.m.

NowHere – 40 Wooster Street (between Grand and Broome Streets)

Admission: Free

SoHo gallery NowHere will host the exhibition METROPOLIS with recent artworks by Japanese Brazilian artist Oscar Oiwa.

Oscar Oiwa has special attachments to numerous cities. These places—Rio de Janeiro, Tokyo, Paris, and New York—deeply inform his art and the logic behind it. In this exhibition’s large-scale piece Zeus, for example, we see three of these cities writ large by Oiwa. These fantastical versions of each place are rendered, in marker, in hyper-realistic fashion. The proximity between the real and the unreal is the life of the piece, and it reflects the experience of intimately knowing a favorite city, where memory, reality, dream, and geography all collide.

The Olympic games, with their connections to both the ancient and the contemporary worlds, were also a catalyst for Zeus. The games take over a city, present it to the world, recontextualize it, and compel its citizens to reevaluate their hometown. For Oiwa, the Olympics have both positive and negative impacts on their host cities. This ambivalence plays out in his work.    

Gods and mascots. In a show that evokes both Zeus, the thunderbolt-wielding patriarch of the fearsome Greek Olympians, and Sam the Olympic Eagle, the cheery representative of the 1984 Summer Olympics in Los Angeles, Oiwa levels the importance of the two. We might wonder whether any similarities might exist between them. Is a god merely a form of mascot? Might mascots find themselves elevated to the position of gods? In the art of Oscar Oiwa, anything seems possible.

To learn more about Oiwa, please visit his website.

“Zeus the god of Olympia” ©Oscar Oiwa

About NowHere

NowHere is a hub for emerging Japanese artists. The focus of the SoHo gallery is on creatives who come from Japan to New York City, whether for a visit or to stay. They feature work from a broad spectrum of media, from digital to fashion, culinary arts to photography, and everything in between. NowHere is dedicated to building community and expanding their artists’ networks.

NowHere is open Wednesday through Sunday from 11:00 a.m. until 6:00 p.m. No appointment required.

For more information, please visit NowHere’s website.

Made in Japan: 20th-Century Poster Art

Now through Sunday, September 10

Poster House – 119 W. 23rd Street (between 6th and 7th Avenues)

Admission: $12 | $8 Seniors, Students, Educators, Veterans, and Visitors with Disabilities

Japanese poster design reflects the country’s rich visual culture and printmaking tradition and was used throughout the 20th century to represent the country to domestic and international audiences. Two world wars in addition to rapid industrialization, urbanization, and the rise of mass media fundamentally transformed modern Japan, and its specific journey as both an aggressor and a victim of war reinforced the nation’s efforts to revamp its image. Within this context, posters became an essential commercial art form that fused modern identity with consumerism, mirroring and shaping the social, political, and ideological values of the time. 

During the Second Sino-Japanese War (1937–45) and World War II (1939–45), posters were designed to inspire patriotism, circulate propaganda, and encourage consumer restraint in support of the war effort. During the postwar period, however, unparalleled growth in the manufacturing sector catapulted the Japanese economy to the position of second largest in the world, creating limitless opportunities for poster advertising as Japanese corporations became household names and global brands. Following the 1964 Tokyo Olympics and the 1970 Osaka World Expo, Japan’s international standing shifted again, emboldening Japanese artists and designers to conceive new forms of graphic media that mixed aspects of traditional Japanese aesthetics with Western design idioms. Between the 1980s and the early 21st century, Japanese posters functioned beyond the realm of the merely commercial, allowing designers to address such social issues as pollution, climate change, sustainability, nuclear disarmament, and global peace and reconciliation. 

This exhibition explores the cultural and political shifts within modern Japan that influenced the functions and messaging of its advertising posters, and how those posters were subsequently received by the public.

Nihon Buyo UCLA Asian Performing Arts Institute 1981

Gallery Hours

Poster House is open Thursday through Sunday from 10:00 a.m. until 6:00 p.m., except on Friday, when it is open until 9:00 p.m. Admission is free on Fridays as well. For more information and to purchase tickets, please visit Poster House’s website.

Made in Japan in the Poster House Shop

Poster House has a nice selection of books, notecards, and other items that feature Japanese graphic design. To purchase online, visit the shop here.