Explore the Family Dynamic at Japan Society

Family Portrait: Japanese Family in Flux

Thursday, February 15 through Saturday, February 24

Japan Society – 333 E. 47th Street (between 1st and 2nd Avenues)

Admission: $16 General | $14 Seniors, Students, and Persons with Disabilities | $12 Japan Society Members (unless otherwise noted)

Presented by Agency for Cultural Affairs, Government of Japan and Japan Society, Family Portrait: Japanese Family in Flux examines the shifting dynamics and struggles of the Japanese household in contemporary cinema. Showcasing ten features, including premieres and revivals, Family Portrait confronts the complexities of familial bonds in the face of adversity—from intergenerational gaps to changing mores and traditions—bringing to question what truly defines a family and its values in a modern world.

Series highlights include the U.S. Premiere of Kazuyoshi Kumakiri’s Yoko, starring Academy Award-nominated actress Rinko Kikuchi in a bravura performance as a woman hitchhiking more than 400 miles to her father’s funeral; the U.S. Premiere of Keiko Tsuruoka’s Tsugaru Lacquer Girl, the heart-tugging story of a family lacquerware business on the brink of collapse run by Kaoru Kobayashi of Midnight Diner fame and the daughter who strives to carry on its legacy despite deeply held traditional gender beliefs; and a Classics slate featuring a rare 35mm presentation of Yasujiro Ozu’s Tokyo Twilight.

A special spotlight will shine on director Ryota Nakano, who has spent his career keenly capturing the complex feelings of families when faced with adversity. His latest film, The Asadas, centers on the power of family in the aftermath of the Fukushima tragedy and will be presented along with his two previous works, A Long Goodbye and Her Love Boils Bathwater. Nakano will appear in person at Family Portrait: Japanese Family in Flux to speak during select screenings and take part in a reception.

To purchase tickets, please visit Japan Society’s website, and visit IFC Center’s website to purchase tickets to the screening of Yoko on February 22.

© 2008 “Still Walking” Production Committee

Lineup and Schedule

Still Walking
Thursday, February 15 at 7:00 p.m.
Dir. Hirokazu Kore-eda | 2008 | 114 min. | Japanese with English subtitles. |. With Hiroshi Abe, Yui Natsukawa, Kirin Kiki, Yoshio Harada

The Yokoyama family gathers for an annual commemoration of the eldest son, Junpei, who drowned 15 years ago while saving someone’s life. Over the course of the day, suppressed tensions and resentments are gradually revealed amidst forced pleasantries and shared meals as second son Ryo (Hiroshi Abe) endures feelings of inferiority in front of his curmudgeon father (Yoshio Harada) and passively judgmental mother (Kirin Kiki), both of whom disapprove of his recent marriage to a widow (Yui Natsukawa) with a ten-year-old son. Dedicated to his late mother, Hirokazu Kore-eda’s 2008 drama is among his most personal films—a masterfully directed, emotionally nuanced expression of the love, heartbreak, and comfort within family relationships—and a modern classic of Japanese cinema.

Tsugaru Lacquer Girl
Friday, February 16 at 7:00 p.m.
Dir. Keiko Tsuruoka | 2023 | 118 min. | Japanese with English subtitles | With Mayu Hotta, Kaoru Kobayashi
U.S. Premiere

Traditional tsugaru-nuri lacquerwork is the Aoki family’s legacy, but their business is in decline and father Seishiro (Kaoru Kobayashi) doesn’t know if it will continue to the next generation. The family’s only hope is daughter Miyako (Mayu Hotta), but her desire to lead the family business upsets generations of customs, established gender roles, and Seishiro himself. Tsugaru Lacquer Girl vividly celebrates one of Japan’s most traditional arts and asks poignant questions about history, family, and if the past has a place in the future.

Muddy River
Saturday, February 17 at 4:00 p.m.
Dir. Kohei Oguri | 1981 | 105 min. | Japanese with English subtitles | With Takahiro Tamura, Yumiko Fujita, Mariko Kaga, Nobutaka Asahara

Taking place in working class Osaka eleven years after Japan’s defeat, Kohei Oguri’s naturalistic debut detailing an unforgettable summer friendship between two young boys is tinged with a poetic melancholy. Seen through the eyes of ten-year-old Nobuo, whose world is governed by the riverside traffic of sputtering barges, fishing boats, and a “monstrous carp,” Muddy River dwells on Nobuo’s last days of innocence as he befriends poor river dweller Kiichi, who lives nearby with his sister and mysterious mother (Mariko Kaga) on a ramshackle houseboat. Caught in the lives of its worn-down and impoverished residents—some still living the war, others dreaming of a new life—Oguri’s stunning black-and-white feature remains a heart-wrenching portrait of postwar Japan and its afflictions, the effects of which reverberate deep within the wordless exchanges and crestfallen faces of its downtrodden subjects.

Tokyo Twilight
Saturday, February 17 at 7:00 p.m.
Dir. Yasujiro Ozu | 1957 | 140 min. | Japanese with English subtitles | With Setsuko Hara, Ineko Arima, Chishu Ryu

In the thick of the industrial hums and billowing smokestacks of postwar Tokyo, Yasujiro Ozu’s crepuscular drama concerns the lives of elderly Shukichi’s (Chishu Ryu) two grown-up daughters, each taking lodgings at their father’s Tokyo home. Hemmed in by setbacks and personal troubles, Takako (Setsuko Hara) seeks refuge from her abusive husband while “delinquent” younger sister Akiko (Ineko Arima) faces the shock of an unplanned pregnancy. In delicate strokes, Ozu orchestrates Tokyo Twilight across waystations of contemporary Tokyo—from seedy mahjong parlors and Western-themed bars with Latin beats to desolate shipyards and train crossings. With quiet devastation and lingering regret, Ozu’s final black-and-white feature is one of his unequivocal masterpieces, a woeful melodrama illuminated against the fading light of day.

Hoyaman
Sunday, February 18 at 4:00 p.m.
Dir. Teruaki Shoji | 2023 | 106 min. | Japanese with English subtitles | With Afro, Kumi Kureshiro, Kodai Kurosaki
U.S. Premiere

A tearful comedy set on a beautiful island, Hoyaman follows the strange adventures of two fisherman brothers and a mysterious artist who drifts onto the island and into their lives. The three are at a crossroads in a deeply human story featuring ramen, superheroes, and tsunamis. Hoyaman tells the story of an unorthodox but modern family and the bonds that challenge us to grow. It’s director Teruaki Shoji’s feature film debut and filmed entirely on Ajishima, an island off the coast of his hometown of Ishinomaki. It features a cast of rising talent lead by Afro from the band MOROHA in his own movie debut.

Tokyo Sonata
Sunday, February 18 at 7:00 p.m.
Dir. Kiyoshi Kurosawa | 2008 | 119 min. | Japanese with English subtitles | With Teruyuki Kagawa, Kyoko Koizumi, Kai Inowaki., Yu Koyanagi

Kiyoshi Kurosawa’s appropriately terrifying take on the domestic drama looks beyond the platitudes of familial values and empty promises of a happy life into the recesses of the human condition. Laid off in a wave of company downsizing, salaryman Ryuhei hides his misfortune, opting instead to deceive his family into thinking he still remains employed. Equally adrift are wife, Megumi (Kyoko Koizumi), yearning for someone to pull her out of her banal routines; teen Takashi, who sees no future living in Japan; and younger son Kenji, who simply desires to play the piano. Searching for catharsis, the family members begin to live out clandestine lives rather than confront their creeping divide. Winner of the Jury Prize of the Un Certain Regard section at the 2008 Cannes Film Festival, Kurosawa’s cynical look at the subsurface decay and inadequacies of the traditional family points to its inherent breakdown.

Yoko
Thursday, February 22 at 7:00 p.m.
Offsite Screening: IFC Center – 323 6th Avenue
Admission: $18 General | $15 Seniors and Children
To purchase tickets, please visit IFC Center’s website.
Dir. Kazuyoshi Kumakiri | 2023 | 113 min. | Japanese with English subtitles | With Rinko Kikuchi, Pistol Takehara, Asuka Kurosawa
U.S. Premiere

International star Rinko Kikuchi plays the titular Yoko in an unorthodox road movie that follows an isolated woman’s journey to hitchhike more than 400 miles to her estranged father’s funeral. As she encounters a sweeping range of travelers across her trek, what will Yoko learn from each of them, and what will they learn from her? And in crossing this physical distance, can Yoko mend the emotional distance between her father and herself?

Her Love Boils Bathwater
Friday, February 23 at 7:00 p.m.
Admission: $18 General | $16 Seniors, Students, and Persons with Disabilities | $14 Japan
New York Premiere with Director Q&A and Reception
Dir. Ryota Nakano | 2016 | 125 min. | Japanese with English subtitles | With Rie Miyazawa, Hana Sugisaki, Joe Odagiri

Rie Miyazawa stars as Futaba, a single mother diagnosed with terminal cancer. With little time left, she sets out on a mission to reconnect her family, reuniting with her husband, reassuring her daughter, and bringing both together to save the family business. A popular and critical hit, Her Love Boils Bathwater won Miyazawa Best Actress and Hana Sugisaki Best Supporting Actress at the Japan Academy Awards, and the film was Japan’s official entry for Best Foreign Language Film at the Oscars.

A Long Goodbye
Saturday, February 24 at 4:00 p.m.
Dir. Ryota Nakano | 2019 | 127 min. | Japanese with English subtitles | With Yu Aoi, Yuko Takeuchi, Tsutomu Yamazaki
New York Premiere

Based on the book by Naoki Prize-winning writer Kyoko Nakajima, A Long Goodbye traces the gradual memory loss of the aging Shohei (Tsutomu Yamazaki) due to Alzheimer’s and the painful challenges and unexpected joys his two daughters experience as they return home to care for him. While Alzheimer’s robs Shohei of his past, his long goodbye brings new memories and a new closeness to his loved ones.

The Asadas
Saturday, February 24 at 7:00 p.m.
Introduction by director Ryota Nakano and Followed by a Talk Session
Dir. Ryota Nakano | 2020 | 127 min. | Japanese with English subtitles | With Kazunari Ninomiya, Satoshi Tsumabuki, Masaki Suda

Inspired by real-life photographer Masashi Asada, director Ryota Nakano’s latest film balances humor and heart in an unexpectedly true story. As an energetic dreamer in a traditional family, Masashi (Kazunari Ninomiya)’s initial artistic endeavors are met with skepticism and little support, but in the aftermath of the 2011 Tohoku earthquake, Masashi’s photographic skills are given new purpose, and he embarks on a mission that brings his family—and families across Japan—together.

About the ACA Cinema Project

The ACA Cinema Project is a new initiative organized as part of the “Japan Film Overseas Expansion Enhancement Project,” an ongoing project founded by the Agency for Cultural Affairs, Government of Japan (ACA) to create opportunities for the increased exposure, development, and appreciation of Japanese cinema overseas through screenings, symposiums, and other events held throughout the year. The ACA Cinema Project introduces a wide range of Japanese films in the United States, a major center of international film culture, together with local partners, such as Japan Society, IFC Center, and the Academy of Motion Picture Arts and Sciences’ Linwood Dunn Theater.

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JAPAN CUTS Film Festival Returns to Japan Society

JAPAN CUTS: Festival of New Japanese Film

Wednesday, July 26 through Sunday, August 6

Japan Society – 333 E. 47th Street (between 1st and 2nd Avenues)

Admission: $18 Nonmembers | $14 Japan Society Members | $16 Seniors and Students

Japan Society presents 16th annual JAPAN CUTS: Festival of New Japanese Film, its first fully in-person JAPAN CUTS since 2019. The largest festival showcasing contemporary Japanese cinema in North America, this year’s JAPAN CUTS takes place from July 26 through August 6 and features more than 25 films. From major blockbusters to indie darlings, narratives, documentaries, experimental and short films, and anime, the festival truly celebrates the breadth of Japanese cinema.

There will be five International Premieres, ten North American Premieres, seven U.S. Premieres, three East Coast Premieres, and three New York Premieres. Six special guests and two parties are also on the schedule. One of the special guests is acclaimed actor Yuya Yagira, who will receive the JAPAN CUTS 2023 CUT ABOVE Award for Outstanding Achievement in Film for his role in the festival’s Centerpiece film, Under the Turquoise Sky by director KENTARO. Yagira has starred in more than 50 films and television series, and with his performance as the lead role in Hirokazu Kore-eda’s Nobody Knows, he became the youngest actor ever to win the Best Actor Award at the Cannes Film Festival.

To purchase tickets, please visit Japan Society’s website. Great news for JapanCulture•NYC members! Japan Society is generously offering a 15% discount for all screenings. If you are a JapanCulture•NYC member, you’ll receive a special discount code via email. Not a member yet? It’s easy! Simply go to JapanCulture-NYC.com to register!

JAPAN CUTS Full Schedule

Wednesday, July 26 

The First Slam Dunk – 7:00 p.m.  SOLD OUT
Dir. Takehiko Inoue | 2022 | 124 min. | Japanese with English subtitles | With Shugo Nakamura, Jun Kasama, Shinichio Kamio, Subaru Kimura, Kenta Miyake
East Coast Premiere. Winner of the Japan Academy Film Prize for Best Animation of the Year. SLAM DUNK is a beloved manga which was serialized from 1990-1996 and has sold m 170 million copies globally. THE FIRST SLAM DUNK marks original manga creator Takehiko Inoue’s directorial debut and is the first new feature-length film from the iconic franchise in 33 years. The film follows Shohoku High School basketball team point guard Ryota Miyagi (Shugo Nakamura) as he takes the stage at the Inter-High School National Championship, and the pressure to challenge the reigning champions is on! Can Ryota and his teammates defeat the imposing Sannoh Kogyo High School?
Followed by Opening Night Party

Flashback Before Death © Hotel des Arts

Thursday, July 27

SHORT CUTS Program 1 – 3:30 p.m.
Flashback Before Death
Dir. Rii Ishihara and Hiroyuki Onogawa | 2022 | 30 min. | Japanese with English subtitles | With Rii Ishihara, Masatoshi Kihara, Hanae Seike
North American Premiere. The directorial debut of composer Hiroyuki Onogawa—best known for his collaborations with Sogo (Gakuryu) Ishii starting with August in the Water (1995)—and his wife, Rii Ishihara, Flashback Before Death is a cryptic and eerie short composed of disassociated flashbacks that follow a young man’s return home in 1930s Japan.

Silent Movie
Dir. Masamichi Kawata, Satoru Hirohara, and Hiroshi Gokan | 2022 | 56 min. | Japanese with English subtitles | With Ichiro Kataoka, Hiroaki Kawaguchi, Ikuhiko Aoyama
International Premiere. Nine students and three alumni from Tokyo University of the Arts’ Film Department create eleven silent films spanning samurai tales, mysteries, thrillers, animation, and even giant monsters. See the next generation of filmmakers play with cinema’s past. All films narrated by renowned benshi storyteller Ichiro Kataoka.

JOO5311 – 6:00 p.m.
Dir. Hiroki Kono | 2022 | 93 min. | Japanese with English subtitles | With Kazuaki Nomura, Hiroki Kono
International Premiere. Winner of the Grand Prize at the 2022 Pia Film Festival, this impressive bare-bones debut feature by actor-turned-director Hiroki Kono (Special Actors) follows 26-year-old salaryman Kanzaki (Kazuaki Nomura) as he attempts to leave Tokyo for an unidentified location hours away. Unable to go by taxi, he solicits the help of a petty thief (Kono) to drive him in exchange for ¥1 million in cash—a mysterious offer with grim implications. A deeply affecting minimalist road movie that makes daring use of long takes, handheld camera work and silence—written, directed, edited and co-starring Kono—J005311 is low-budget independent filmmaking par excellence.

Best Wishes to All – 9:00 p.m
Dir. Yuta Shimotsu | 2023 | 89 min.| Japanese with English subtitles |. With Kotone Furukawa
North American Premiere. What would you do for happiness? Director Yuta Shimotsu answers in his feature film debut. Executive produced by Takashi Shimizu (creator of Ju On: The Grudge) and starring Kotone Furukawa (Berlinale Silver Bear winner for Ryusuke Hamaguchi’s Wheel Of Fortune And Fantasy), Best Wishes to All follows a young woman’s visit to her grandparents’ home and her discovery of what’s brought them happiness—a revelation that will lead her to question her choices, sanity, and reality itself. Best Wishes to All starts slow and builds to a frantic, manic, and disturbingly satisfying end.

Friday, July 28

SHORT CUTS Program 2 – 3:30 p.m.
Detouring Blue
Dir. Ryo Kimura | 2023 | 24 min. | Japanese with English subtitles | With Saori Mori, Mai Hikagedate, Ami Kamimura
New York Premiere. In the dark of the Tokyo night, two women talk about their past, their youth, and their dreams. Beautifully shot and told with vivid colors, Detouring Blue looks at the wistfulness of the past, the weight of the present—and if who we were can ever be who we are today.

Okamoto Kitchen
Dir. Gerald Abraham | 2023 | 12 min. | English | With Cristina Vee.
East Coast Premiere. A crowd-funded anime from LA’s very real Japanese fusion comfort food truck Okamoto Kitchen, JAPAN CUTS  presents the start of this global project blending Japanese and Western talent to create a unique cross-cultural flavor. Featuring character designs by Takuya and Asusa Saito, key art by anime studio Magic Bus, music by Layla Lane, and starring voice actress Cristina Vee.

Setagaya Game
Dir. Go Ohara and Ken Ohara | 2022 | 40 min. | Japanese with English subtitles | With Reiji Takahashi, Akari Natsume, Sho Iizaka.
International Premiere. Big action on a little budget, brothers Go and Ken Ohara bring together years of stunt and action directing experience to tell the tale of Takeru (Reiji Takahashi) and the deadly game he’s forced to play. The clock is ticking for him to save a life, but is the game really what it seems?

I Am What I Am – 6:00 p.m.
Dir. Shinya Tamada | 2022 | 105 min. | Japanese with English subtitles | With Toko Miura, Atsuko Maeda
North American Premiere. Thirty-year-old Kasumi (Toko Miura in her first starring role since Drive My Car) works at a call center and lives at home with her family, often pestered by her worrisome mother who desperately wants her to get married, even going so far as to set up an omiai, or arranged marriage interview, to marry her off. The reality is that Kasumi cannot harbor romantic feelings for others. Aided by her cheerful and equally outsider friend Maho, played by the ever-charming Atsuko Maeda, Kasumi simply desires to live without the rigid gender roles and expectations that dictate how young women should submit themselves to constructed ideals of love and marriage. An anti-rom com by any measure, I Am What I Am is a liberating departure from the conceit that romantic love equates happiness and a life fulfilled.

Plastic © 2023 Nagoya University of Arts and Sciences

Plastic – 9:00 p.m.
Dir. Daisuke Miyazaki | 2023 | 104 min | Japanese with English subtitles | With An Ogawa, Takuma Fujie, Kyoko Koizumi
Q&A with director Daisuke Miyazaki.
International Premiere. Decades after the breakup of their favorite band Exne Kedy and the Poltergeists (a fictional project by artist Kensuke Ide and producer You Ishihara of Yura Yura Teikoku fame), music obsessives Jun and Ibuki (An Ogawa, Heaven Is Still Far Away) bond over their mutual love for the ‘70s glam rock band, falling deeply in love in the process. But as difficulties arise in their dreams and priorities, the couple break apart. The surprise announcement of an Exne Kedy reunion, however, brings promise of a new tomorrow. The latest from director Daisuke Miyazaki (Tourism), Plastic is a life-affirming jolt to the system, celebrating the cosmic power of music and the joys of growing up and falling in love in a charming and heartfelt coming of age tale.

Saturday, July 29

Father of the Milky Way Railroad – Noon
Dir. Izuru Narushima | 2023 | 128 min. | Japanese with English subtitles | With Koji Yakusho, Masaki Suda, Nana Mori
U.S. Premiere. Virtually unknown as a writer in his lifetime, the poet and novelist Kenji Miyazawa (1896-1933) is among Japan’s most read and beloved authors of children’s stories. This moving biopic—based on the best-selling, Naoki Prize-winning novel named after Miyazawa’s most famous story—traces the genius writer’s brief but amazing life through his relationship with his loving father Masajiro (Koji Yakusho), a successful pawnbroker and modern man of the Meiji era who struggles to keep up with his eccentric son’s ambitions. A wonderfully heartfelt tribute to the “Hans Christian Andersen of Japan,” played with gusto by Masaki Suda (Teiichi: Battle of Supreme High).

I Am a Comedian – 3:30 p.m.
Dir. Fumiari Hyuga | 2022 | 108 min. | Japanese with English subtitles | With Daisuke Muramoto
North American Premiere. After winning a 2013 manzai competition with his partner (performing together as Woman Rush Hour), standup comedian Daisuke Muramoto begins using his act to address politically verboten social issues such as nuclear disasters and Zainichi Korean discrimination. Before long, the pair’s television opportunities disappear—a consequence of the widely understood but unwritten rule that comedians making political comments in Japanese media are simply “not tolerated.” In this intimate documentary, director Fumiari Hyuga (Tokyo Kurds) follows Muramoto for three years as he continues to challenge the status quo as a comedian while facing the added challenges of his father’s disapproval and a worldwide epidemic.

Tokyo Melody: A Film about Ryuichi Sakamoto – 7:00 p.m.   SOLD OUT
Dir. Elizabeth Lennard |1985 | 62 min. | 16mm | Japanese, English, and French with English subtitles | With Ryuichi Sakamoto, Akiko Yano
Opening comments by Akiko Yano; Screening followed by a Q&A with Director Elizabeth Lennard.
Imported 16mm Print. Filmmaker and photographer Elizabeth Lennard secures unprecedented access to Ryuichi Sakamoto during the recording of his 1984 album Ongaku Zukan in this brief-yet-insightful Franco-Japanese television co-production. A sampling of studio sessions and performances (including a piano duet with then-wife Akiko Yano), archival footage and talking head interviews, Tokyo Melody finds the eccentric artist at his creative peak, pushing the envelope to new sonic frontiers as he reflects on modern life, shifting technologies and his own creative processes. Lennard captures an awe-inspiring portrait of the extraordinary musician—one that taps into the very nature of the artist’s raison d’être and remains a testament to Sakamoto’s profound brilliance.

Hand – 9:00 p.m.
Dir. Daigo Matsui | 2022 | 99 min. | Japanese with English subtitles | With Akari Fukunaga, Daichi Kaneko
North American Premiere. Since her youth—and not-so-subtly informed by her own father—25-year-old Sawako (Akari Fukunaga) has had a deep curiosity about older men. Sawako’s observations and liaisons are humorous and amusing even as her fascination manifests into a scrapbook of candid photos of unassuming older “happy” men. Adroitly adapting Nao-Cola Yamazaki’s novel of the same name, Hand engages headfirst with female desire, male fragility, and self-discovery through the eyes of its witty and mild-mannered protagonist. Belonging to a string of new pinku productions celebrating 50 years of Nikkatsu’s Roman Porno, Daigo Matsui’s charming erotic tale stays true to the softcore label’s legacy (most notably, a requisite sex scene every ten or so minutes) while refreshingly modernizing its roots.
This film is unrated but not recommended for audiences under 18 years of age due to strong sexual content.

Sunday, July 30

Sanka: Nomads of the Mountain – Noon
Dir. Ryohei Sasatani |2022 | 77 min. | Japanese with English subtitles | With Kiyohiko Shibukawa, Rairu Sugata, Naru Komukai
North American Premiere. A stirring 1960s-set coming-of-age drama that confronts societal progress and development in Japan’s mountainous regions, Sanka: Nomads of the Mountain focuses on the life of young Norio, a Tokyo transplant who has come to live in his grandmother’s village. Living under the shadow of his strict and demanding father, Norio befriends a group of Sanka, a wandering people, who reside in the foothills beyond his home. Beautifully shot and bolstered by compelling performances, Sanka‘s human drama delivers a melancholic and moving reflection on the societal conflicts and turmoil prevalent in postwar Japan, while also depicting the struggles of a nomadic tribe when its way of life is threatened by the onset of modernity.
Winner of the JAPAN CUTS Award at the 2022 Osaka Asian Film Festival

Single8 – 2:30 p.m.
Dir. Kazuya Konaka | 2022 | 113 min. | Japanese with English subtitles | With Yu Uemura, Akari Takaishi
New York Premiere. After seeing Star Wars for the first time in the summer of 1978, high schooler Hiroshi (Yu Uemura) can’t stop thinking about the film’s famous opening shot of a Star Destroyer entering the frame. This obsession eventually leads him to propose making a film with his classmates for their summer festival group project, a sci-fi love story called “Time Reverse.” But will his crush Natsumi (Akari Takaishi) accept the lead role? A nostalgic, feel-good comedy that hearkens back to director Kazuya Konaka’s salad days as a student filmmaker, Single8 celebrates youth, creativity, and the life-changing possibilities of cinema.

The Legend and Butterfly © 2023 THE LEGEND & BUTTERFLY Production Committee

The Legend & Butterfly – 5:30 p.m.  SOLD OUT
Dir. Keishi Otomo | 2023 | 168 min. | Japanese with English subtitles | With Takuya Kimura, Haruka Ayase
Introduced by and followed by a Q&A with director Keishi Otomo.
North American Theatrical Premiere. A sweeping historical romance created to celebrate Toei’s 70th anniversary, The Legend & Butterfly casts megastars Takuya Kimura as Oda Nobunaga and Haruka Ayase as his wife, Nohime. While Oda Nobunaga is one of Japan’s most well-documented historical figures, virtually no information about Nohime remains, and The Legend & Butterfly fills this mystery with a turbulent, thoroughly modern romance. A Sengoku era take on the expression “behind every great man lies a great woman,” The Legend & Butterfly sees more than 30 years of defining moments in Japanese history driven by powerful, private moments between Nobunaga and Nohime.

Tuesday, August 1

Amiko – 6:00 p.m.
Dir. Yusuke Morii | 2022 | 104 min. Japanese with English subtitles | With Kana Osawa, Arata Iura, Machiko Ono
North American Premiere. This remarkable debut from director Yusuke Morii is set in the mountainous vistas of a provincial coastal town brimming with day-to-day excitements for oddball grade-schooler Amiko, whose endless imagination fixates on insects, schoolyard crushes and even the mole on her mother’s chin. Despite her good intentions, Amiko is often misunderstood, remaining at odds with family and classmates who find her strange and whimsical ways off-putting. Featuring a truly captivating breakthrough performance by newcomer Kana Osawa—one that recalls the tour-de-force resilience of Tomoko Tabata in Moving—and a score by popular folk musician Ichiko Aoba, Amiko is charged with a palpable sense of childhood wonderment that consistently finds new and surprising ways of seeing the world, even in the face of tragedy and misfortune.

Wandering – 9:00 p.m.
Dir. Sang-il Lee | 2022 | 150 min. | Japanese with English subtitles | With Suzu Hirose, Tori Matsuzaka
U.S. Premiere. A sprawling account of the alleged kidnapping of a nine-year-old young girl by a university student and the years-long repercussions of the event, Wandering delves into the gray area of the circumstances in question. Fifteen years after their initial encounter, Sarasa runs into her accused captor Fumi, bringing forth a deluge of memories and recollections. Based on the novel by Yu Nagira, Wandering dwells on challenging ethical and moral complexities with director Sang-il Lee (Villain, Rage) offering no easy answers in this compelling, thought-provoking drama. 
Recommended for mature audiences.

Wednesday, August 2

Saga Saga – 6:00 p.m.
Dir. Aimi Natsuto | 2023 | 114 min. | Japanese with English subtitles | With Rena Matsui, Sae Okazaki, Sara Kurashima
U.S. Premiere. After a brief stint as an actress in Tokyo, 28-year-old Kyoko (Rena Matsui) returns to her hometown in Saga Prefecture, Kyushu. Before long she meets Nahoko (Sae Okazaki), an eccentric young woman who introduces herself as a fan but is secretly stalking Kyoko. She also meets Anna (Sara Kurashima), a high school student under the care of her deceased mother’s best friend, whom Kyoko unwittingly learns is her half-sister. What connects these three lonely women, they soon discover, is more than just coincidence but a shared history of family trauma. An elegant, ambitious, and complex sophomore feature by writer/director Aimi Natsuto (Jeux de plage).

Winny – 9:00 p.m.
Dir. Yusaku Matsumoto | 2023 | 127 min. | Japanese with English subtitles | With Masahiro Higashide, Takahiro Miura, Hidetaka Yoshioka
North American Premiere. In this thrilling procedural based on true events, Masahiro Higashide (Asako I & II) plays real-life computer programmer Isamu Kaneko, inventor of the peer-to-peer (P2P) file-sharing program Winny, released in 2002. After Winny users are arrested for illegally uploading games and movies, Kaneko is apprehended by the Kyoto Prefectural Police department under dubious circumstances with the charged crime of intentionally “proliferating piracy” and abetting the violation of copyright laws. Recognizing the implication of Kaneko’s unjust arrest on Japan’s future computer engineers, Toshimitsu Dan (Takahiro Miura), a lawyer specializing in cybercrime, takes on the unprecedented case.

When Morning Comes, I Feel Empty © Ippo

Thursday, August 3

When Morning Comes, I Feel Empty – 6:00 p.m.
Dir. Yuho Ishibashi | 2022 | 76 min. | Japanese with English subtitles |With Erika Karata, Haruka Imou, Kazuma Ishibashi
Followed by a Q&A with Director Yuho Ishibashi.
International Premiere. A delicate and gentle drama, Yuho Ishibashi’s sophomore effort softly envelops the viewer into the day-to-day life of part-time konbini worker Nozomi, charmingly played by Asako I & II’s Erika Karata. Living a simple, carefree life, Nozomi’s preoccupations include tending to home repair, awkwardly chatting with younger coworkers under the humdrum of convenience store Muzak, and stocking shelves—as well as the occasional late shift. A chance encounter with a former junior high classmate reconnects her to the world and through subtle intimations, Nozomi’s past unfolds, detailing her professional career as an overworked corporate assistant. A sensitive exploration of vying for one’s own happiness, When Morning Comes, I Feel Empty is a deeply humanizing affirmation that a fulfilling life can exist outside of societal pressure and expectation.
Winner of the JAPAN CUTS Award at the 2023 Osaka Asian Film Festival

Convenience Story – 9:00 p.m.
Dir. Satoshi Miki | 2022 | 97 min. | Japanese with English subtitles | With Ryo Narita, Atsuko Maeda
New York Premiere. Stuck in a rut as a deadbeat screenwriter with a reputation for unoriginal “male fantasy films,” Kato (Ryo Narita) struggles to find inspiration for his next script. That is, however, until a supernatural occurrence at a konbini transports him to an alternate dimension where he meets young, pretty Keiko (Atsuko Maeda) and her eccentric, classical music-obsessed husband. Will they provide the creative spark he needs? This latest offbeat fantasy from Satoshi Miki (It’s Me, It’s Me) takes a playful jab at the filmmaking industry and its surreal absurdities, co-scripted by longtime Japan Times film critic and writer Mark Schilling.

Friday, August 4

Under the Turquoise Sky Centerpiece Film & Party – 7:00 p.m.    SOLD OUT
Dir. KENTARO | 2021 | 95 min. | Japanese and Mongolian with English subtitles | With Yuya Yagira, Amra Baljinnyam, Akaji Maro
Introduction and Q&A with Director KENTARO and Actor Yuya Yagira; Followed by Centerpiece Party.
U.S. Premiere. An international co-production bringing together a Japanese, Mongolian, French, Australian, and Chilean team, Under the Turquoise Sky from director KENTARO follows the spoiled Takeshi (played by Japanese star Yuya Yagira) who is sent out to the Mongolian countryside by his wealthy grandfather (legendary actor and Butoh master Akaji Maro). Together with his Mongolian guide (Mongolian leading man Amra Baljinnyam), Takeshi’s travels lead to stunning vistas, profound mysteries, and personal growth. A lush road movie with touches of the surreal, Under the Turquoise Sky casts a spell with humblingly beautiful directing, acting and cinematography. 
The screening is followed by the Centerpiece Party.

“I believe that life is also like a road movie. Like life itself, the magic of a road movie is that you do not know where it takes you. The saturated primary colors of the Mongolian landscape serve as an example, like a reticent mentor of deep simplicity, in contrast to the protagonist Takeshi’s habitual materially rich and modern, yet monochromatic lifestyle. The landscape thus serves as a supporting “actor,” confirming the necessary presence of Amra in guiding Takeshi through an almost-shamanic rite of passage to finally understand his destiny.” —KENTARO
Under the Turquoise Sky is the recipient of the FIPRESCI International Film Critics Award

Saturday, August 5

The Fish Tale – Noon
Dir. Shuichi Okita | 2022 | 139 min. | Japanese with English subtitles | With Non, Yuya Yagira, Kaho
East Coast Theatrical Premiere. Director Shuichi Okita (Mori, The Artist’s Habitat) paints a whimsical portrait of very real celebrity fish expert Masayuki Miyazawa (called Meebo in the film). The Fish Tale follows Meebo’s ichthyological obsession from the rough waters of their initial years as an outcast to a rising tide of friends, family, and celebrity. Inspirationally, actress Non is cast in the lead male role, and her outsider energy enchants every frame of the film. Quickly, heartfelt, and oddball, Non delivers a joyous performance that makes it impossible not to get caught in the net of Meebo’s fish fixation.

Under the Turquoise Sky Encore Screening – 3:30 p.m.  SOLD OUT
Introduction and Q&A with Director KENTARO and Actor Yuya Yagira

© People Who Talk to Plushies Are Kind Film

People Who Talk to Plushies Are Kind – 6:30 p.m.
Dir. Yurina Kaneko | 2023 | 109 min. | Japanese with English subtitles | With Kanata Hosoda, Ren Komai, Yuzumi Shintani
U.S. Premiere. An adaptation of the Ao Omae novella of the same name, People Who Talk to Plushies are Kind is a warm and comforting alternative to the typical youth film. Concentrating on a trio of college students, Plushies tracks their extracurricular immersion into the student-run Plushies Club. A safe haven for withdrawn and sensitive youths who prefer the company of stuffed animals, the students find differing qualities in the reflective space as director Yurina Kaneko confronts issues of masculinity, gender, and acceptance in contemporary society.

From the End of the World – 9:30 p.m.
Dir. Kaz I Kiriya | 2023 | 135 min. | Japanese with English subtitles | With Aoi Ito, Katsuya Maiguma, Aya Asahina | Special cameo by Shunji Iwai
U.S. Premiere. Kazuaki Kiriya’s first feature film in eight years is the story of the final two weeks of the planet Earth and the young girl (Aoi Ito) who has the power to save it. The imaginative director of Casshern and Goemon returns to the big screen with a film ripe with his trademark daring visuals and a mind- and time-bending narrative. From the ancient past to the far future, From the End of the World is a science fiction feast both deeply intimate and epic in scale that traces the ley lines of dreams, destiny, and a young girl’s heart.

Mondays © CHOCOLATE Inc

Sunday, August 6

MONDAYS: See you “this” week! – Noon
Dir. Ryo Takebayash | 2022 | 83 min. | Japanese with English subtitles | With Wan Marui, Makita Sports
North American Premiere. Live. Work. Repeat. Akemi Yoshikawa (Wan Marui) pulls an all-nighter to finish an important project for a client, only to find herself working on this same project again and again. Akemi soon understands she’s stuck in a time loop, and the only way out is to convince all her co-workers and boss (played by the prolific Makita Sports) of the time-bending situation they’re in. A zany, fast-faced comedy filled with twists, turns and PowerPoints.

The Three Sisters of Tenmasou Inn – 2:30 p.m.
Dir. Ryuhei Kitamura | 2022 | 150 min. Japanese with English subtitles | With Non, Mugi Kadowaki, Riku Hagiwara
U.S. Premiere. In this supernatural tearjerker adapted from the manga by Tsutomu Takahashi, the waystation between life and rebirth is a traditional Japanese ryokan by the sea called Tenmasou Inn. When Tamae (Non) arrives there after a car accident leaves her body in a coma, she is greeted by Nozomi (Yuko Oshima), the inn’s polite proprietress, and laid-back Kanae (Mugi Kadowaki)—half-sisters that Tamae never knew she had. Despite protestations from the irascible matriarch Kyoko (Shinobu Terajima), the effervescent Tamae starts working at Tenmasou, taking time to process her liminal state while discovering the history she shares with her sisters, including their absent father.