Catch Totto-Chan at NYICFF!
Totto-Chan screens at NYICFF! Go to the festival website at https://nyicff.org/tickets/ and enter promo code JapanCultureNYC2025 to claim your 10% discount.
Totto-Chan: The Little Girl at the Window
Saturday, March 15 at 5:45 p.m.
SVA Theatre – 333 W. 23rd Street (between 8th and 9th Avenues)
Admission: $20
As the New York International Children’s Film Festival draws to a close, we have a special opportunity for JapanCulture•NYC readers! Together Films, an innovative marketing and sales company based in London and NYC serving the international film community, is offering a 10% discount to the screening of Totto-Chan: The Little Girl at the Window on Saturday, March 15 at 5:45 p.m.
Go to the festival website at https://nyicff.org/tickets/ and enter promo code JapanCultureNYC2025 to claim your 10% discount.
Selected as one of NYIFF’s spotlight films, Totto-Chan: The Little Girl at the Window is making its North American Premiere. It tells the powerful story of an imaginative girl learning to be herself even as the world around her changes. Anime NYC and Kinokuniya USA are presenting partners, and Koji Yakusho, who won Best Actor at Cannes for his role in Perfect Days, voices one of the characters!
Totto-Chan: The Little Girl at the Window
About Totto-Chan
Director: Shinnosuke Yakuwa
Animation | 2023 | 114 min.
Recommended ages: 8+
Japanese with English subtitles
“Sit down! Stop talking. Pay attention!” School is hard enough, but little Totto-Chan just can’t seem to be still. Inquisitive by nature, she’s constantly inspired by the world around her—and in 1940s Japan, the wonders of Western modernization bring new and exciting ways to traditional Japanese life.
When her behavior proves to be too distracting to the rest of the class (according to her teachers, at least), her parents make it their mission to find the right place for her. Totto-Chan is no ordinary child, and her new school takes place in no ordinary classroom but in an old streetcar. Her classmates are equally extraordinary, each with their own abilities and ways of thinking.
With a schoolmaster who affirms rather than tamps down their joyous curiosity, Totto-Chan and her classmates flourish in an environment filled with acceptance and freedom of expression. The coming changes to Japan will make adjusting to new life even more challenging, but Totto-Chan, charming, chaotic, sometimes troublemaking, and often irrepressible, will be just fine as long as she can be herself.
Based on the best-selling memoir of famous Japanese television personality Tetsuko Kuroyanagi, Totto-Chan is a tender reminder the things that make us different are the very things that make us special.
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Japan Society Pays Tribute to Legendary Filmmaker
Japan Society pays tribute to legendary filmmaker Nobuhiko Obayashi with a series featuring his “seishun eiga”
Obayashi ’80s: The Onomichi Trilogy & Kadokawa Years
Friday, February 7 through Friday, February 14, 2025
Japan Society – 333 E. 47th Street (between 1st and 2nd Avenues)
Admission: $16 | $12 Japan Society Members
Japan Society presents a tribute to Japanese director and screenwriter Nobuhiko Obayashi, whose career spanned 60 years and multiple genres. Curated by Japan Society Film Programmer Alexander Fee, Obayashi ’80s: The Onomichi Trilogy & Kadokawa Years comprises six films screened across five days.
About the Film Series
The teenage symphonies of Nobuhiko Obayashi (1938-2020) are wound in a melancholy nostalgia for a period indelibly lost to time—that inexpressible gap between adolescence and adulthood. Braiding visually expressive fantasias with striking formal experimentation and pop-art boldness, Obayashi’s idiosyncratic cinematic language produced some of Japan’s most beloved seishun eiga (youth films) in the 1980s. Captivating generations of filmgoers with his earnest portraits of young love and vanished worldviews, Obayashi’s films were further bolstered by film studio Kadokawa’s innovative tactics of popularizing dreamy pop idols such as Hiroko Yakushimaru and Tomoyo Harada.
With a career overshadowed abroad by the oddball eccentricity of his electric 1977 debut House, the 1980s would prove to be the high-water mark of Obayashi’s popularity, epitomized by his endearing Onomichi trilogy—set in the filmmaker’s hometown of Onomichi, the site of Yasujiro Ozu’s Tokyo Story. Framed in 35mm viewfinders, against wildly ingenious chroma-key composites and characterized by his unflagging optimism for the youth of Japan, Obayashi’s youth passages are caught up in the ages of transition, demonstrably attuned to the extraordinary nature of ordinary adolescence.
To purchase tickets, please visit Japan Society’s website.
Schedule
Friday, February 7
I Are You, You Am Me (Exchange Students)
7:00 p.m. | 112 min.
A playful mélange of amateur small-gauge, black-and-white, and color photography, Obayashi’s first entry in his hometown trilogy spins into a gender-swap youth film when two classmates switch bodies after a steep fall.School in the Crosshairs
9:15 p.m. | 90 min.
A psychotronic fantasy forged into a young girl’s destiny to defend the planet, School in the Crosshairs is a cosmic overload of extraterrestrial fascists, preternatural powers, and Obayashi’s uniquely adroit filmmaking abilities.
Saturday, February 8
The Little Girl Who Conquered Time
5:00 p.m. | 104 min.
Schoolgirl Kazuko begins to experience time leaps backwards and forward in time, disorienting her as she yearns to stay in the present. Obayashi’s second Onomichi film is a genuine expression of the transcendence of love—one cast across the stars for a young girl who lives in tomorrow.Lonely Heart (Miss Lonely)
8:00 p.m. | 112 min.
The final installment in Obayashi’s Onomichi trilogy is celebrating its 40th anniversary. It is a virtuosic ode to first love and the intrinsic emotions that arise with it as a young boy falls in love and encounters a mysterious girl in the viewfinder of his analog camera.
Sunday, February 9
The Island Closest to Heaven
5:00 p.m. | 103 min.
Fulfilling her late father’s dream to take her to “the island closest to heaven,” bookish teen Mari ventures solo to a paradise-laden archipelago in search of the mythic locale.School in the Crosshairs
7:15 p.m.
Thursday, February 13
His Motorbike, Her Island
7:00 p.m. | 96 min.
A nostalgia-filled reminiscence, Obayashi’s monochromatic dream playfully worships the biker culture of yesteryear, delivering a sentimental and liberating take on young love.I Are You, You Am Me (Exchange Students)
9:15 p.m. | 112 min.
Friday, February 14
The Little Girl Who Conquered Time
7:00 p.m. | 104 min.His Motorbike, Her Island
9:15 p.m. | 96 min.
About Nobuhiko Obayashi
Born in Onomichi, Hiroshima Prefecture, in 1938, Nobuhiko Obayashi’s 60-year film career began with avant-garde experimental shorts in the 1960s. Throughout the 1970, he directed highly stylized and whimsical television commercials, which allowed him to experiment with different techniques and to develop his creative flair. His mainstream films, as featured in Japan Society’s series, focused on the innocence of youth, young love, loss, and nostalgia. In his later works, Obayashi weaved social commentary, such as anti-war themes, into his storytelling.
Obayashi died of lung cancer in April 2020 at the age of 82.
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Full Weekend of Anime Talks & Screenings
Foreign Exchange: Anime Inspirations & Visionaries with LeSean Thomas
Friday, November 15 through Sunday, November 17
Japan Society – 333 E. 47th Street (between 1st and 2nd Avenues)
Admission
Ninja Scroll with Reception: $20 | $16 members
Behind-the-Scenes of LeSean Thomas’s Yasuke Talk: $12 | $8 members
All Other Screenings: $16 | $12 members
High School and College Students Talks: Free with RSVP (For Students and Educators Only)Foreign Exchange Bundle: $80 | $55 Members
Get tickets for all screenings and the Yasuke talk at a discounted price. To get bundle pricing, please add all events into your cart. Discount will be applied automatically. Please note this bundle does not include the High School and College Student Talks.Prices are inclusive of fees, where applicable. To purchase tickets, please visit Japan Society’s website.
LeSean Thomas
Through Foreign Exchange, Japan Society presents retrospective screenings which spotlight the works that inspired LeSean Thomas, one of the few Black Americans working in the anime industry in Japan, and celebrate the luminaries across the anime world including Masahiro Ando, Hiroshi Kobayashi, Takeshi Koike, Yutaka Minowa, Kenichi Shima, and the late Satoshi Iwataki. Appearing in-person throughout the series, LeSean will discuss his history with anime, his cross-cultural productions with Japanese creators and the artform’s deep impact with diverse audiences, including talks with The Imagination Project Inc. offering guidance for the next generation of creators, directors, producers, artists, and animators.
Yasuke
Schedule
Behind the Scenes of LeSean Thomas’s Yasuke
Friday, November 15 at 6:00 p.m.
This event examines LeSean Thomas’s most recent work, Netflix’s Yasuke, a project he created, directed, and executive produced. In this talk, Thomas will share rare behind-the-scenes Yasuke footage and discuss the creation of the series. It is a glimpse into the synergy that arises when diverse talents from different backgrounds come together to tell stories.
Ninja Scroll
Ninja Scroll with Opening Night Reception
Friday, November 15 at 8:00 p.m.
Dir. Yoshiaki Kawajiri, 1993, 94 min., DCP, color, in Japanese with English subtitles
Introduction by LeSean Thomas. Written and directed by Yoshiaki Kawajiri and animated by studio Madhouse, Ninja Scroll tells the story of a lone warrior and his battle against a team of supernatural ninjas. A nonstop tour de force, Ninja Scroll continues to be praised more than 30 years after its release, and it is often cited by animators and filmmakers as the film that opened their minds to the possibilities of animation.
Sword of the Stranger
Sword of the Stranger
Saturday, November 16 at 5:00 p.m.
Dir. Masahiro Ando, 2007, 102 min., DCP, color, in Japanese with English subtitles
Introduction by LeSean Thomas. Directed by Masahiro Ando and animated by studio Bones, Sword of the Stranger is a fresh telling of a wandering swordsman tale. In it, a samurai from a strange land must not only battle dangerous mercenaries, but he must also come to terms with his past. The film concludes with a dauntingly choreographed battle that’s one of the most praised fight scenes in animation history.
Redline
Redline
Saturday, November 16 at 8:00 p.m.
Dir. Takeshi Koike, 2010, 102 min., Digital, color, in Japanese with English subtitles
Introduction by LeSean Thomas. Directed by Takeshi Koike and animated by studio Madhouse, Redline is a ferociously animated far-future action-adventure spiraling around an intergalactic race. While a box office flop upon its initial release, it would go on to become a classic beloved by cinephiles, animation fans, and industry professionals on both sides of the Pacific.
Cowboy Bebop: The Movie
Cowboy Bebop: The Movie
Sunday, November 17 at 4:00 p.m.
Dir. Shinichiro Watanabe, 2001, 115 min., 35mm, color, in Japanese with English subtitles
Introduction by LeSean Thomas. Set in a lawless future heavily drawn from inspirations including American science fiction, cyberpunk, noir, and Westerns, the Cowboy Bebop saga is praised for its seamless blend of genre, music, and storytelling. In Cowboy Bebop: The Movie, bounty hunter Spike Spiegel must unravel military conspiracies and hunt down an old soldier before he releases a weapon that could destroy all life on Mars.
Demon City Shinjuku
Demon City Shinjuku
Sunday, November 17 at 6:30 p.m.
Dir. Yoshiaki Kawajiri, 1988, 82 min., DCP, color, in Japanese with English subtitles
Introduction by LeSean Thomas. Based on a novel by Vampire Hunter D creator Hideyuki Kikuchi and directed by Yoshiaki Kawajiri, Demon City Shinjuku is a pulpy film emblematic of the anime popular with American audiences 30 years ago, when LeSean Thomas himself was growing up. And while essentially a Japanese grindhouse flick filled with supernatural action and grotesque monsters, it was the work of tremendous anime industry talents.
Talks for Students
Inspiring The Next Generation: Creating TV Anime in Japan – High School Talk and Screening
Friday, November 15 at 10:30 a.m.
Free Talk and Screening for High School Students. LeSean Thomas will present his anime Children of Ether and share with high school students his story, from growing up in the Bronx to directing anime in Japan. His goal is to return to his hometown of NYC and inspire the next generation of creators, artists, animators, and directors.
The Business of Creativity: Behind-the-Scenes of TV Anime Creation
Saturday, November 16 at 2 p.m.
Free Talk and Screening for College Students. LeSean Thomas will present the first episode of his anime Cannon Busters and walk college students along his path to work in the animation world, recounting his journey from New York, to LA, to Korea, and then Japan. He will discuss the details of anime production, the skills he needed to work in this field, and recommendations on getting a start in animation.
Special Features
Yasuke Exhibit
Japan Society will present a limited-time pop up exhibit featuring Yasuke production art personally selected by LeSean Thomas. See this exhibit free on Japan Society’s A Level before or after screenings. This exhibit will include never-before-seen sketches and storyboards from legendary Japanese creators.
Yasuke Art Book
Attendees will be able to take home Foreign Exchange: The TV Anime Creations of LeSean Thomas Vol. 1 – Yasuke, a companion art book to the Foreign Exchange film series collecting art and stories from the production of Yasuke. A limited number of books, all pre-signed by Thomas, will be available for purchase at the event.
About LeSean Thomas
South Bronx-born LeSean Thomas is among the distinguished few Black Americans making their mark in the TV anime industry and is currently the only Black American to successfully create, produce, and direct original TV anime series in Japan. His journey began with projects like The Boondocks, where he served as Supervising Character Designer and Co-Director on the NAACP Image Award-winning series, and continued with Black Dynamite: The Animated Series, where he took on the roles of Producer and Supervising Director.
His talents further extended to Studio Mir’s The Legend of Korra while living in Seoul, Korea. These foundational experiences paved the way for his transformative move to Japan, where he created and directed notable works such as Crunchyroll’s Children of Ether and Netflix’s Cannon Busters, produced in collaboration with the renowned studio Satelight. Thomas’s most recent triumph is the critically acclaimed and NAACP Image Award-nominated Netflix series Yasuke. Its unique blend of historical narrative and fantastical elements, set against a backdrop of increasing demand for Black creative inclusion in adult, sci-fi, adventure, and fantasy spaces in media, propelled Yasuke into a resonant project that captured the imagination of audiences worldwide.
Support JapanCulture•NYC by becoming a member! For $5 a month, you’ll help maintain the high quality of our site while we continue to showcase and promote the activities of our vibrant community. Please click here to begin your membership today!