Saturday September 7 at 1:00 p.m. with Jennifer Takaki, George Hirose, and Cindy Hsu
Sunday September 8 at 2:00 p.m. with Jennifer Takaki, George Hirose, and Linda Lew Woo
Doors open 30 minutes prior to showtime

DCTV Firehouse Cinema – 87 Lafayette Street

Admission: $16 | $8 Members and Group Sales (10 or more)

In celebration of what would have been Chinese American photographer Corky Lee’s 77th birthday on September 5, DCTV is hosting encore screenings this weekend. The screening on Saturday, September 7 will have a special Q&A moderated by CBS News Anchor/Reporter Cindy Hsu with panelists Director Jennifer Takaki and Executive Producer George Hirose.

Click here to read JapanCulture•NYC’s interview with filmmaker Takaki.

For fifty years, Chinese American photographer Corky Lee documented the celebrations, struggles, and daily lives of Asian American Pacific Islanders with epic focus. Determined to push mainstream media to include AAPI culture in the visual record of American history, Lee produced an astonishing archive of nearly a million compelling photographs. His work takes on new urgency with the alarming rise in anti-Asian attacks during the COVID pandemic. Jennifer Takaki’s intimate portrait reveals the triumphs and tragedies of the man behind the lens.

To purchase tickets, please visit DCTV’s website. Fees apply.

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Susan McCormac 5/13/24 Susan McCormac 5/13/24

Filmmaker Discusses the “Corky Factor” Behind “Photographic Justice”

The late photojournalist Corky Lee. Photo Credit: Jennifer Takaki, All Is Well Pictures.

Lee Young Kwok, better known by his childhood nickname, Corky, was a self-taught photojournalist who documented the everyday lives and struggles of members of the Asian American community in New York and beyond. Lee roamed the streets of Chinatown and practically every neighborhood in Manhattan, photographing everything from celebrations and festivals to protests and rallies in equal measure. Those who saw Lee’s work received a lesson in culture, history, and politics. There was Lunar New Year in Chinatown, a Yuri Kochiyama speech at a Japanese American Day of Remembrance program, a protest against police brutality that actually resulted in police brutality.

His photographs graced the pages of various publications, including The Village Voice, Downtown Express, The New York Post, and The New York Times. He had gallery exhibitions at institutions from New York to LA and places in between. Lee did this at a relentless pace for fifty years, until his death from COVID-19 in January 2021.

For almost twenty of those years, filmmaker Jennifer Takaki followed Lee with a camera of her own, documenting the documentarian. The result is the 2022 film Photographic Justice: The Corky Lee Story, which made the film festival circuit for more than a year and recently had a successful theatrical run at the DCTV Firehouse Cinema in New York as well as at theaters in LA. An edited version of the film premieres on PBS on Monday, May 13, presented by the Center for Asian American Media as part of the network’s Asian American, Native Hawaiian, and Pacific Islander Heritage Month.

Takaki named her documentary after a phrase that Lee often used to describe his work. He would say, “I’m practicing photographic justice,” or declare that taking a certain picture was “an act of photographic justice.”

“It's the whole reason that Corky started his trajectory of his documentation of the AAPI community,” Takaki explains.

Takaki says that Lee coined the phrase in 2002, when he was interviewed by The New York Times after he recreated the historic 1869 Transcontinental Railroad photograph taken to commemorate the railroad’s completion in Utah. The original photographer excluded the Chinese laborers who helped build the railroad. In Lee’s recreation, he photographed the descendants of those Chinese men.

“I knew that that was a very pivotal moment. I knew it was a very pivotal photograph that, at that time, would have been the defining photograph,” Takaki says. “For me, [the phrase “photographic justice”] is a really important message because it's everything [about] why Corky does what he does. Which is why I started filming him anyway—to figure out why Corky does what he does.”

A chance encounter with Lee at an event led to Takaki’s curiosity about why the photographer spent all his free time photographing the community.

“He just showed me where the bathroom was and talked about the history of the building. I was like, ‘Who are you?’ And then he started to talk about everything he did,” Takaki says. “I started to follow him. I was going to do five-minute vignettes on people who had a singular focus. That's kind of what started me on my trajectory.”

With a background in television production, Takaki is no stranger to the camera and storytelling. She worked in news in Denver, Hong Kong, and New York, adding entertainment and corporate videos to her portfolio along the way. Lee introduced Takaki, a Japanese American, to fellow filmmaker and Japanese American Stann Nakazono. Together, the two formed an important community group known as ZAJA, where Japanese Americans network and support each other at monthly meetings held in the home of JA leader Julie Azuma. Lee was an honorary member from day one.

Filmmaker Jennifer Takaki. Photo Credit: All Is Well Pictures

During the nineteen years that Takaki followed Lee, she refined and distilled how she would present his story. Originally, the film’s ending was going to be one of the recreations of the Transcontinental Railroad photographs in Utah that Lee organized. Sadly, his death forced Takaki to add his funeral scene to the end instead.

But that is not the end of Corky Lee’s story. To Takaki, nearly two decades after starting the film, her work is just beginning. Photographic Justice has given her the opportunity to introduce Lee to audiences across the country, giving him a well-deserved moment in the spotlight, even in places where she believed Lee should have been popular already.

“What I was surprised about the most was that a lot of the AAPI communities did not know who Corky was,” Takaki says of the screenings she’s attended for the film. “We were just in Oregon, and . . . it was a sold-out show. I asked, ‘Who knew Corky?’ Only two people raised their hand. One of them happened to be from New York and literally knew Corky. I think that that's what surprises me. And that was an Asian American community; that was an Asian American event. I think that just shows that we have so much work to do. But I think it's also great that people are getting out to these events and seeing the film.”

Despite Lee’s relative anonymity outside of New York, Takaki has been pleased with the reaction to her film.

“I do think that it resonates with people and that they will forward it to people,” she says. “I also love the community—generally the filmmaking community—because I think everyone is so supportive of each other's films, and everyone wants to help each other get the word out. I always say it's the Corky Factor. You know there's that Corky Factor that makes people want to help. It's the reason that I have such a great group of people supporting me now. It's the reason that the film got finished. It's the reason the film's getting out. It's that Corky Factor that is undeniable. There is a Corky Factor to everything I do.”

The late-April theatrical release at DCTV’s Firehouse Cinema was particularly gratifying to Takaki. Ahead of the week of sold-out screenings with Q&A sessions, Takaki shared her excitement.

“There are so many things about it that are special. First of all, I have so much respect for [DCTV founders] Keiko and John Alpert. I love them. Also, they were comrades of Corky. They were so kind and generous to me during the whole time I worked on this film, showing so much support for it. Keiko watched the film, and she let me go through their archives. That’s just who they are as people, so that makes it special right there. But the fact that it's in Chinatown and that we will be having panelists who are part of Chinatown and part of the community and part of Corky’s story is so special.”

She wanted packed houses at DCTV, and New Yorkers delivered. But Takaki won’t be satisfied until Corky reaches superstar status. She has put pressure on herself and the community at large to “make sure we do Corky justice.”

“I want people to talk about Corky,” she says. “I want Corky to kind of become like Bruce Lee, you know? To be so synonymous, so outside of his own realm, that people know who he is, and he becomes a cultural figure, an icon in his own right. Because of what he means to so many. Because that whole pride, confidence, and sense of belonging that he brings such joy to anyone who had the pleasure of knowing him. Just his photos alone. If you know Corky, then you care about his photos. And then through that, you can learn the history of so many different peoples and communities.”

With Lee gone, the community lost not only a friend, but a large piece of coverage and advocacy is missing as well. Takaki thinks that people are continuing Lee’s legacy of photographic justice “in a diffused way,” but she places the onus on all of us to take up the mantle.

“When Corky was around, all you had to do was tell him that this was something important, and then he would show up,” Takaki says. “I don't know [everything that’s] going on in the AAPI community, but I do know that if you go to events and you don't see anyone taking photographs, then it becomes your responsibility to cover it.”

Takaki explains that the best place to start is to highlight and document community organizers and people who are doing good in the community. While there is no replacement for someone like Corky Lee, learning about his legacy and emulating his dedication can only help.

Photo Credit: Jennifer Takaki, All Is Well Pictures

If Lee were still alive, Takaki believes he would be documenting the meetings about and protests against the building of a new jail in Chinatown, something he had already started to do before his death. Of course, we would still see him at yearly community events, especially during May, AAPI Heritage Month.

Of the thousands of photographs Lee took, Takaki says her favorite is of a Sikh man who had wrapped the American flag around him at a candlelight vigil in Central Park following the terrorist attacks on September 11, 2001.

“Obviously, it's just such a beautiful image,” Takaki says. “I like Corky's explanation of people back on 9/11 who used the flag as protection [from discrimination]. It's such a beautiful and yet kind of sad but poignant photo.”

Indeed, the image is just one example of the many acts of photographic justice by Corky Lee.

Photographic Justice: The Corky Lee Story is available to watch for FREE on PBS Passport until Monday, June 10. To learn how to host a screening, please visit the film’s website and follow @corkyleestory and @wherescorkylee on Instagram and Facebook for updates.

Susan McCormac 11/21/23 Susan McCormac 11/21/23

All AAPI Cast to Perform “Allegiance”

54 Sings Allegiance

Monday, November 27 at 7:00 p.m. (Doors open at 5:30 p.m.)

54 Below – 254 W. 54th Street (between 7th and 8th Avenues)

Admission: $100.50 Premium Seating | $51-$62 Main Dining and Bar Seating

54 BELOW, Broadway’s Supper Club, presents an entirely AAPI cast in 54 Sings Allegiance on November 27 at 7:00 p.m. This celebration is in honor of the London premiere of Allegiance, a musical inspired by the real story of Star Trek icon George Takei’s life with music and lyrics by Jay Kuo and book by Marc Acito, Jay Kuo, and Lorenzo Thione. 54 Below invites the audience to enjoy the story of Allegiance through the performances of these incredible AAPI talents.

The show will feature highlights of the score, including “Higher,” “Wishes on the Wind,” “Stronger Than Before,” and more.

Performers

Carol Angeli (Here Lies Love, Miss Saigon)
Sondrine Bontemps (Disney Cruise Line’s Aladdin)
Delphi Borich (Camelot, Into the Woods)
Flynn Jungbin Byun (White Plains Performing Arts Center’s Miss Saigon)
Victoria Chen
Jen Chia (Magic School Bus national tour)
Brayden Co
Bryan Chan
Bryan Freedman
Rose Van Dyne (1776)
Joomin Huang (The Prom, & Juliet)
Yoosep (Joseph) Im (White Plains Performing Arts Center’s Miss Saigon)
Brian Jose (Miss Saigon national tour)
Dongwoo Kong (The King and I national tour)
Joseph Lee
Rina Maejima (National Anthem singer at Citi Field on Japanese Heritage Night)
Clark Mantilla (Musicalized!, TikTok Takes Broadway)
Joowon Shin (Squid Game on Netflix)
Patima Watcharintrawut

The concert is produced and directed by Flynn Jungbin Byun and associate produced by Gyurin Kim, with music direction by Rose Van Dyne.

Representation in the arts is so crucial and becoming more and more important, so please support this unique production.

To purchase tickets, please visit 54 Below’s website. Please note that ticket prices include a 10% ticketing fee and a $1.50 facility fee. There is a $25 food and beverage minimum. Tickets on the day of performance after 4:00 p.m. are available only by calling 646-476-3551.

About 54 Below

54 Below, a recipient of the 2022 TONY AWARDS® Honor for Excellence in the Theatre, is a non-profit organization with a mission to preserve the music of Broadway and expand the art of the cabaret while growing opportunities for diverse communities of emerging and established artists and providing unparalleled audience experiences.

It was founded as a place for the Broadway community to celebrate Broadway performers, both established and new, who sing not only the music of Broadway and the Great American Songbook, but also new material intended for Broadway and off-Broadway stages.

Safety Information

54 Below is committed to the health of its performers, staff, and guests and has created a Safety Plan to ensure safe conditions along with optimum performing conditions. 54 Below has installed improved air circulation and filtering systems. Based on CDC and New York State guidelines at the time of performance, safety protocols and seating capacity may change, and policies may be adjusted as is appropriate. Additional information on their safety protocols can be found at their website.

Susan McCormac 10/18/23 Susan McCormac 10/18/23

Chinatown Street to be named after Asian American Activist

Unveiling of Corky Lee Way

Sunday, October 22 at 4:00 p.m.

Corner of Mott and Mosco Streets, Chinatown

The Corky Lee Way Street Co-Naming Committee, Think!Chinatown, and 21 Pell will host a gathering on the corner of Mosco Street and Mott Street in the heart of New York City's Chinatown to unveil the street sign which co-names Mosco Street as Corky Lee Way in honor of the late Corky Lee. This beloved intersection is the site of Corky Lee’s last public photography exhibition hosted at the historic newsstand in October 2020 and continues his vision as a gathering place for community joy.

Photographer and activist Corky Lee with his iconic photographs

About Corky Lee

Corky Lee was an Asian American photographer, activist, and historian known for his passion for capturing the vibrant stories of the Asian American community through his lens. His dedication to celebrating the diversity and culture of our AANHPI communities made him a beloved and inspirational figure for current and future generations.

Join the committee and friends of Corky Lee to honor his enduring legacy and his commitment to amplifying the voices and stories of Asian Americans.

Event Details

Corky Lee Way Street Sign Unveiling
Remarks by community leaders and special guests
Special Performance of “It’s Tough Being Corky Lee” by Judo Club

To Be Followed By

Chinatown Block Party
Display of Corky’s Iconic Photographs
Corky Lee Film Screenings
An opportunity to get your own "Where's Corky?" sticker (courtesy of George Hirose) and a "Corky Lee Way" sticker (designed by Alice Hennessy)
An opportunity to add personal notes to the Corky Lee Memory Board

About Mosco Street and Frank Mosco

Frank Mosco (1920-1982) was a beloved community leader who grew up on the Lower East Side and knew Corky Lee through their civic involvement at the Two Bridges Neighborhood Council and other community work. Mosco was known for bringing the Chinese and Italian American communities together. Joining Corky Lee Way and Mosco Street not only honors two great men, but also the enduring bond of our two communities.

Susan McCormac 5/24/23 Susan McCormac 5/24/23

Celebrating AAPI Heritage Month with an After Dark Tea Party

After Dark Tea Party

Thursday, May 25 from 6:00 p.m. until 9:00 p.m.

Wonderland Dreams by Alexa Meade – 529 5th Avenue

Admission: $40

Celebrate Asian American Pacific Islander Heritage Month with Asian tea, food, and drinks by Asian-owned restaurants and shops at the spectacular Wonderland Dreams, a fun-filled festival bringing together diverse Asian American cultures inside and out!

Your ticket includes admission to Wonderland Dreams, where you can go down a rabbit hole of mad tea parties and secret rose gardens in a living gallery that puts you inside the artwork.

Explore Asian food and shop vendors (Price range: $10-$15)

Taiwanese Vegetable Sticky Rice
Japanese Ramen
Tokyo Fried Chicken
Matcha Cheesecake, Hojicha Cheesecake, Matcha Mochi-Filled Cookies
Tea Cocktails
Bubble Tea
Asian owned brands accessories, candles, crafts, cosmetics, and more!

Early-bird tickets are sold out, but you can receive a 12% discount if you use the promo code UP. To purchase tickets, please visit Event Create.

About Upstairs NY

Formed in 2022, Upstairs NYC is a non-profit organization based in New York City dedicated to promoting friendly relations between New York and other countries. The organization focuses on fostering learning and community engagement across four pillars: arts and culture, lifestyle, technology, and food. Upstairs NYC regularly hosts panel discussions, experiential events, cultural celebrations, and socials. For more information, please visit their website.

About Wonderland Dreams

Wonderland Dreams by Alexa Meade brings to life the stories of Alice’s Adventures in Wonderland in an immersive, hand-painted exhibit. Located just steps from Bryant Park, every inch of this interactive exhibition space is hand-painted from floor to ceiling, allowing visitors to walk inside a multi-dimensional work of art. Learn more at their website.

Susan McCormac 4/29/23 Susan McCormac 4/29/23

44th Asian Pacific American Heritage Festival

Saturday, April 29 from 11:30 a.m. until 6:00 p.m.

Chelsea – 8th Avenue between 21st and 22nd Streets

Admission: Free

The Coalition of Asian Pacific Americans (CAPA) are hosting United We Stand, a festival celebrating Asian American and Pacific Islander Heritage Month, which begins Monday, May 1. The spotlight will shine on a wide range of wonderful organizations, programs, and companies in the Pan Asian American community. There will be arts and crafts booths and vendors, including a Peking duck crepe maker!

With its beginnings as Asian/Pacific American Heritage Week in May 1979, CAPA has hosted fun-filled outdoor festivals bringing together diverse Asian American cultures through education and interaction. Its Asian American Community Hub serves to promote and amplify work that Asian American organizations have been providing to our community. CAPA provides an excellent opportunity to get to know and get involved with active Asian American organizations.

What CAPA Does

Promotes connection, communication, and collaboration among Asian American organizations
Fosters relationships within and outside the Asian American community
Promotes, represents, and advocates for the issues and interests of Asian American and Pacific Islander communities
Provides an environment to encourage Asian Americans to use their history, culture, and art to foster self-esteem and respect for our heritages while sharing Asian American cultures and contributions to society

Stop by the festival to learn more!

Susan McCormac 4/17/23 Susan McCormac 4/17/23

Shibutani Book Launch

Tuesday, April 18 from 5:30 p.m. until 7:00 p.m.

Yu and Me Books – 44 Mulberry Street

Admission: Free

Olympic ice dancing medalists Maia Shibutani and Alex Shibutani will be at Yu and Me Books in Chinatown for the launch of their new book, Amazing: Asian Americans and Pacific Islanders Who Inspire Us All.

About the Book

This beautifully illustrated children’s picture book highlights the achievements of many Asian Americans and Pacific Islanders who have made invaluable contributions to the world. Written with journalist Dane Liu and illustrated by Aaliya Jaleel, Amazing’s inclusivity sets it apart in its exploration of thirty-six inspirational AAPI figures, including civil rights hero Daniel Inouye, immigrant astronaut Kalpana Chawla, and biracial entertainer Dwayne “The Rock” Johnson.

The Shibutanis felt compelled to create a book showing the undeniably positive impacts that Pacific Islanders and Asian Americans have made in this country and around the world. With quick and accessible biographies written with Liu, readers will learn about important figures who have shaped life-altering policy, made indelible marks on pop culture, and achieved their greatest dreams—paving the way for future generations to make lasting change.

“A thoughtful and comprehensive survey of the ways in which Asian Americans and Pacific Islanders have shaped, and will continue to shape, the United States. Throughout, the prose is clear, concise, and well crafted, incorporating details that will enthrall young readers.”
—Kirkus Reviews

About the Shibutanis

Maia and Alex Shibutani are two-time Olympic bronze medalists who became the first ice dancing team of Asian descent to medal at the Olympics. Off the ice, the “ShibSibs” are goodwill ambassadors and storytellers who are active on social media. Amazing: Asian Americans and Pacific Islanders Who Inspire Us All is their third book; they launched their “Kudo Kids” series of children’s middle grade mystery books in 2020.

About Yu and Me Books

Established by Lucy Yu, Yu and Me Books is the first Asian American female-owned bookstore in New York. A bookstore that’s also a café/bar, Yu and Me focuses on the strong, diverse voices of the AAPI community, with a focus on immigrant stories.

ENCORE SCREENINGS OF “PHOTOGRAPHIC JUSTICE”

Photographic Justice: The Corky Lee Story