The Japanese American Association of New York (JAA) and the Japanese American Citizens League – New York (JACL-NY) present a screening of Baseball Behind Barbed Wire, a short film by Yuriko Gamo Romer. The documentary tells the story of the World War II incarceration of Japanese Americans through the uncommon lens of baseball, America’s national pastime. Following the screening, author and historian Robert K. Fitts and yours truly, Susan Miyagi McCormac of JapanCulture•NYC, will lead a discussion about the film and the importance of baseball throughout Japanese American history and within the JA community. There will also be a book signing by Fitts.

Registration is required. To RSVP, please click here and fill out this Google doc.

About Robert K. Fitts

A former archaeologist with a Ph.D. from Brown University, Robert K. Fitts left academics behind to follow his passion — Japanese baseball. An award-winning author and speaker, his articles have appeared numerous journals, magazines, and websites. He is also the author of ten books on Japanese baseball and Japanese baseball cards. Fitts is the founder of SABR’s Asian Baseball Committee and a recipient of the society’s 2013 Seymour Medal for the Best Baseball Book of 2012 (Banzai Babe Ruth); the 2019 and 2023 McFarland-SABR Baseball Research Awards; the 2012 Doug Pappas Award for the best oral research presentation at the annual convention; and the 2006, 2021, 2023 and 2024 SABR Research Awards. He has twice been a finalist for the Casey Award and has received two silver medals at the Independent Publisher Book Awards. While living in Tokyo in 1993-94, Fitts began collecting Japanese baseball cards and now runs Robs Japanese Cards LLC. https://www.robfitts.com/

About Susan Miyagi McCormac

Susan Miyagi McCormac is the founder and Editor-in-Chief of JapanCulture•NYC, an English-language website that introduces Japanese culture to New Yorkers and connects members of the Japanese and Japanese American community while promoting Japanese-related events. A 1990 graduate of North Carolina with a degree in communications, she has also had a long career in sports television, which has taken her to Tokyo to work Yankees games as well as the World Baseball Classic. Her career in baseball merged with her community involvement when the Japanese Consulate tapped her to moderate a panel discussion celebrating the 150th anniversary of baseball’s introduction to Japan, which featured Yomiuri Giants and New York Yankees legend Hideki Matsui. Susan is a Vice President of The Japanese American Association of New York, serves on the Board of Directors of the JET Alumni Association of New York, and is the co-chair of the Communications Committee of the U.S.-Japan Council’s New York Region. https://www.japanculture-nyc.com/

About Yuriko Gamo Romer

Yuriko Gamo Romer is an award-winning director based in San Francisco. She holds a master’s degree in documentary filmmaking from Stanford University and is a Student Academy Award winner, National Academy of Television Arts and Sciences Scholar, and American Association of Japanese University Women Scholar. Her current documentary project, DIAMOND DIPLOMACY, explores the relationship between the United States and Japan through a shared love of baseball.

She directed and produced MRS JUDO: Be Strong, Be Gentle, Be BeautifulI, the only biographical documentary about Keiko Fukuda (1913-2013), the first woman to attain the 10th degree black belt in judo. MRS JUDO has traveled to more than 25 film festivals internationally and was awarded the Grand Jury Award for Best Documentary at the 2013 International Festival of Sport Films in Moscow and broadcast on PBS nationally as part of CAAM’s Japanese American Lives in 2014. Additionally, her film Occidental Encounters won numerous awards, among them a Student Academy Award Gold Medal, Heartland FF’s Jimmy Stewart Memorial Crystal Heart Award, and National Media Network’s Silver Apple. Romer’s short films include Reflection; Kids will be Kids; Sunnyside of the Slope; Fusion; and Friend Ships, a short historical animation about John Manjiro, the inadvertent Japanese immigrant rescued by an American whaling captain. https://www.flyingcarp.net/

Baseball Behind Barbed Wire is available through GOOD DOCS.

Support JapanCulture•NYC by becoming a member! For $5 a month, you’ll help maintain the high quality of our site while we continue to showcase and promote the activities of our vibrant community. Please click here to begin your membership today!

Susan McCormac 9/7/24 Susan McCormac 9/7/24

ENCORE SCREENINGS OF “PHOTOGRAPHIC JUSTICE”

Photographic Justice: The Corky Lee Story

Saturday September 7 at 1:00 p.m. with Jennifer Takaki, George Hirose, and Cindy Hsu
Sunday September 8 at 2:00 p.m. with Jennifer Takaki, George Hirose, and Linda Lew Woo
Doors open 30 minutes prior to showtime

DCTV Firehouse Cinema – 87 Lafayette Street

Admission: $16 | $8 Members and Group Sales (10 or more)

In celebration of what would have been Chinese American photographer Corky Lee’s 77th birthday on September 5, DCTV is hosting encore screenings this weekend. The screening on Saturday, September 7 will have a special Q&A moderated by CBS News Anchor/Reporter Cindy Hsu with panelists Director Jennifer Takaki and Executive Producer George Hirose.

Click here to read JapanCulture•NYC’s interview with filmmaker Takaki.

For fifty years, Chinese American photographer Corky Lee documented the celebrations, struggles, and daily lives of Asian American Pacific Islanders with epic focus. Determined to push mainstream media to include AAPI culture in the visual record of American history, Lee produced an astonishing archive of nearly a million compelling photographs. His work takes on new urgency with the alarming rise in anti-Asian attacks during the COVID pandemic. Jennifer Takaki’s intimate portrait reveals the triumphs and tragedies of the man behind the lens.

To purchase tickets, please visit DCTV’s website. Fees apply.

Susan McCormac 5/13/24 Susan McCormac 5/13/24

Filmmaker Discusses the “Corky Factor” Behind “Photographic Justice”

The late photojournalist Corky Lee. Photo Credit: Jennifer Takaki, All Is Well Pictures.

Lee Young Kwok, better known by his childhood nickname, Corky, was a self-taught photojournalist who documented the everyday lives and struggles of members of the Asian American community in New York and beyond. Lee roamed the streets of Chinatown and practically every neighborhood in Manhattan, photographing everything from celebrations and festivals to protests and rallies in equal measure. Those who saw Lee’s work received a lesson in culture, history, and politics. There was Lunar New Year in Chinatown, a Yuri Kochiyama speech at a Japanese American Day of Remembrance program, a protest against police brutality that actually resulted in police brutality.

His photographs graced the pages of various publications, including The Village Voice, Downtown Express, The New York Post, and The New York Times. He had gallery exhibitions at institutions from New York to LA and places in between. Lee did this at a relentless pace for fifty years, until his death from COVID-19 in January 2021.

For almost twenty of those years, filmmaker Jennifer Takaki followed Lee with a camera of her own, documenting the documentarian. The result is the 2022 film Photographic Justice: The Corky Lee Story, which made the film festival circuit for more than a year and recently had a successful theatrical run at the DCTV Firehouse Cinema in New York as well as at theaters in LA. An edited version of the film premieres on PBS on Monday, May 13, presented by the Center for Asian American Media as part of the network’s Asian American, Native Hawaiian, and Pacific Islander Heritage Month.

Takaki named her documentary after a phrase that Lee often used to describe his work. He would say, “I’m practicing photographic justice,” or declare that taking a certain picture was “an act of photographic justice.”

“It's the whole reason that Corky started his trajectory of his documentation of the AAPI community,” Takaki explains.

Takaki says that Lee coined the phrase in 2002, when he was interviewed by The New York Times after he recreated the historic 1869 Transcontinental Railroad photograph taken to commemorate the railroad’s completion in Utah. The original photographer excluded the Chinese laborers who helped build the railroad. In Lee’s recreation, he photographed the descendants of those Chinese men.

“I knew that that was a very pivotal moment. I knew it was a very pivotal photograph that, at that time, would have been the defining photograph,” Takaki says. “For me, [the phrase “photographic justice”] is a really important message because it's everything [about] why Corky does what he does. Which is why I started filming him anyway—to figure out why Corky does what he does.”

A chance encounter with Lee at an event led to Takaki’s curiosity about why the photographer spent all his free time photographing the community.

“He just showed me where the bathroom was and talked about the history of the building. I was like, ‘Who are you?’ And then he started to talk about everything he did,” Takaki says. “I started to follow him. I was going to do five-minute vignettes on people who had a singular focus. That's kind of what started me on my trajectory.”

With a background in television production, Takaki is no stranger to the camera and storytelling. She worked in news in Denver, Hong Kong, and New York, adding entertainment and corporate videos to her portfolio along the way. Lee introduced Takaki, a Japanese American, to fellow filmmaker and Japanese American Stann Nakazono. Together, the two formed an important community group known as ZAJA, where Japanese Americans network and support each other at monthly meetings held in the home of JA leader Julie Azuma. Lee was an honorary member from day one.

Filmmaker Jennifer Takaki. Photo Credit: All Is Well Pictures

During the nineteen years that Takaki followed Lee, she refined and distilled how she would present his story. Originally, the film’s ending was going to be one of the recreations of the Transcontinental Railroad photographs in Utah that Lee organized. Sadly, his death forced Takaki to add his funeral scene to the end instead.

But that is not the end of Corky Lee’s story. To Takaki, nearly two decades after starting the film, her work is just beginning. Photographic Justice has given her the opportunity to introduce Lee to audiences across the country, giving him a well-deserved moment in the spotlight, even in places where she believed Lee should have been popular already.

“What I was surprised about the most was that a lot of the AAPI communities did not know who Corky was,” Takaki says of the screenings she’s attended for the film. “We were just in Oregon, and . . . it was a sold-out show. I asked, ‘Who knew Corky?’ Only two people raised their hand. One of them happened to be from New York and literally knew Corky. I think that that's what surprises me. And that was an Asian American community; that was an Asian American event. I think that just shows that we have so much work to do. But I think it's also great that people are getting out to these events and seeing the film.”

Despite Lee’s relative anonymity outside of New York, Takaki has been pleased with the reaction to her film.

“I do think that it resonates with people and that they will forward it to people,” she says. “I also love the community—generally the filmmaking community—because I think everyone is so supportive of each other's films, and everyone wants to help each other get the word out. I always say it's the Corky Factor. You know there's that Corky Factor that makes people want to help. It's the reason that I have such a great group of people supporting me now. It's the reason that the film got finished. It's the reason the film's getting out. It's that Corky Factor that is undeniable. There is a Corky Factor to everything I do.”

The late-April theatrical release at DCTV’s Firehouse Cinema was particularly gratifying to Takaki. Ahead of the week of sold-out screenings with Q&A sessions, Takaki shared her excitement.

“There are so many things about it that are special. First of all, I have so much respect for [DCTV founders] Keiko and John Alpert. I love them. Also, they were comrades of Corky. They were so kind and generous to me during the whole time I worked on this film, showing so much support for it. Keiko watched the film, and she let me go through their archives. That’s just who they are as people, so that makes it special right there. But the fact that it's in Chinatown and that we will be having panelists who are part of Chinatown and part of the community and part of Corky’s story is so special.”

She wanted packed houses at DCTV, and New Yorkers delivered. But Takaki won’t be satisfied until Corky reaches superstar status. She has put pressure on herself and the community at large to “make sure we do Corky justice.”

“I want people to talk about Corky,” she says. “I want Corky to kind of become like Bruce Lee, you know? To be so synonymous, so outside of his own realm, that people know who he is, and he becomes a cultural figure, an icon in his own right. Because of what he means to so many. Because that whole pride, confidence, and sense of belonging that he brings such joy to anyone who had the pleasure of knowing him. Just his photos alone. If you know Corky, then you care about his photos. And then through that, you can learn the history of so many different peoples and communities.”

With Lee gone, the community lost not only a friend, but a large piece of coverage and advocacy is missing as well. Takaki thinks that people are continuing Lee’s legacy of photographic justice “in a diffused way,” but she places the onus on all of us to take up the mantle.

“When Corky was around, all you had to do was tell him that this was something important, and then he would show up,” Takaki says. “I don't know [everything that’s] going on in the AAPI community, but I do know that if you go to events and you don't see anyone taking photographs, then it becomes your responsibility to cover it.”

Takaki explains that the best place to start is to highlight and document community organizers and people who are doing good in the community. While there is no replacement for someone like Corky Lee, learning about his legacy and emulating his dedication can only help.

Photo Credit: Jennifer Takaki, All Is Well Pictures

If Lee were still alive, Takaki believes he would be documenting the meetings about and protests against the building of a new jail in Chinatown, something he had already started to do before his death. Of course, we would still see him at yearly community events, especially during May, AAPI Heritage Month.

Of the thousands of photographs Lee took, Takaki says her favorite is of a Sikh man who had wrapped the American flag around him at a candlelight vigil in Central Park following the terrorist attacks on September 11, 2001.

“Obviously, it's just such a beautiful image,” Takaki says. “I like Corky's explanation of people back on 9/11 who used the flag as protection [from discrimination]. It's such a beautiful and yet kind of sad but poignant photo.”

Indeed, the image is just one example of the many acts of photographic justice by Corky Lee.

Photographic Justice: The Corky Lee Story is available to watch for FREE on PBS Passport until Monday, June 10. To learn how to host a screening, please visit the film’s website and follow @corkyleestory and @wherescorkylee on Instagram and Facebook for updates.

Susan McCormac 11/2/23 Susan McCormac 11/2/23

Asia Society to Co-Host NYJCF

New York Japan CineFest 2023

Friday, November 3 from 6:30 p.m. until 8:00 p.m. (Opening reception)

Saturday, November 4 from 1:00 p.m. until 5:00 p.m. (Shodo performance)

Asia Society – 725 Park Avenue at 70th Street

Admission: $15 Adults | $8 Members

New York Japan CineFest, a film festival that introduces Japanese-themed short films, is celebrating its twelfth anniversary this weekend. The two-day event will present a total of16 short films and is co-hosted by Asia Society and Mar Creation in partnership with JICC-Japan Information and Culture Center (Embassy of Japan in Washington, D.C.), Short Shorts Film Festival, Boston Japan Film Festival, Aichi International Women’s Film Festival, and Tokyo Independent Movie Festival.

Day One features seven short films selected by JICC and NYJCF; Day Two includes two programs: “Japanese Film Festivals” at 1:00 p.m. and “Long Story Short” at 3:30 p.m. “Japanese Film Festivals” consist of six short films in association with five Japanese film festivals such as Short Shorts Film Festival, which celebrated its 25th anniversary this year. “Long Story to Short” features four shorts that are relatively long, more than 20 minutes.

The 2023 program includes director Daichi Amano’s Don’t Go, in which fragments of the memories of a deceased father can be accessed using a special device; TOKYO ANIMAL by Toshiki Yashiro, a collection of five vignettes about life in Tokyo; Seen, a love story directed by Shinji Hamasaki and based on Ryūnosuke Akutagawa’s short story "The Nose”; and Oshirasama, Takako Saga’s look at a mysterious folk belief in Japan's Tohoku region. This year’s highlight is Shuhari, a documentary that was produced by NYJCF co-founders Kosuke Furukawa and Hiroshi Kono.

For full details and to purchase tickets, please visit Asia Society’s website. Students and Seniors should contact Asia Society’s box office at 212-517-ASIA (2742) for a discounted price. NYJCF is offering a special discount for JapanCulture•NYC members! Not a member? Join today at https://www.japanculture-nyc.com/membership!

*Third Wheel*, Directed by Kevin Haefelin

Day One – Friday, November 3 at 6:30 p.m.

Films selected by NYJCF and the Japan Information & Culture Center organized by Embassy of Japan in Washington, D.C.

Third Wheel

Dir. Kevin Haefelin | 2023 | 4:50 | comedy, drama, period, fantastic | Switzerland
Edo Period. Following his abrupt death, Gohei, a master carpenter, returns as a ghost to make peace with his wife, Sachi, but finds out he is invisible. He must rely on Sakichi, his once-neglected apprentice, who is gifted with psychic abilities.

What To Do To Be Like You

Dir. Chris Rudz | 2022 | 5:01 | comedy | Japan
Young Natsumi returns to the island of her ancestor to become an Ama-san, a traditional female diver of Japan. She follows her mentor, Reiko, who's the best Ama-san in the area, to discover her secrets.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Aufguss

Dir. Daigo Matsui | 2022 | 24:52 | drama | Japan
A sauna spa that has been in business for 50 years is about to reach the very last day but without letting any of its regular customers know. Toji, an aufgussmeister, is preparing for the last aufguss session, and the regular customers are puzzled about why he is so fired up. This is a story about the special night of a small sauna business.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

The Floating World

Dir. Hiroshi Yokota | 2023 | 15:17 | documentary | Japan
When a university student struggling with an environmental studies assignment searches for inspiration at an art gallery, she is magically transported into a painting and lands in 19th-century Japan. In Edo, today’s Tokyo, she witnesses a range of everyday sustainable practices––using ashes in the dyeing process, fertilizing fields with night soil, repurposing used kimonos into towels and rags––that helped the country overcome environmental collapse.

Shuhari (World Premiere)

Dir. Tatsuya Ino | 2023 | 12:36 | documentary | Japan, USA
Born and raised in Kyoto, Japanese calligrapher Chifumi Niimi teaches students not only how to write characters beautifully but also break through tradition to develop self-esteem and find a new you through shodo (Japanese calligraphy).

The Swamp

Dir. Sorao Sakimura | 2023 | 4:55 | animation | Japan
He, in the painful days of living deep in a shell, picks up a stone. It gains an identity in a moment and becomes a different individual from him. It pulls him up and takes him somewhere he would never imagine. This is written as a record of the writer himself, who has kept creating while feeling the hardness of life.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Seen

Dir. Shinji Hamasaki | 2022 | 23:37 | drama | Japan
A love story based on Ryunosuke Akutagawa's short story "The Nose." Tatsuya, a man afflicted with a nose complex, meets Fumi, a reclusive woman with an eye patch. Both burdened with their emotional scars, the two find themselves drawn to each other.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

*Tokyo Animals*, Directed by Toshiki Yashiro

Day Two – Saturday, November 4 at 1:00 p.m.

“Japanese Film Festivals”

Tokyo Animals

Dir. Toshiki Yashiro | 2022 | 7:58 | drama | Japan
Directed by Toshiki Yashiro, Tokyo Animals is a collection of five scenarios, five vignettes about life in Tokyo. A life where things in the fore fall toward the back, until they circle back again into focus. A circular movement that is often palpable in our crammed little town. Whether it be the rigid rituals of a salaryman, empty gestures by empty people, or the sexualization of all things living or not. Bizarre little things populate the city.
In association with Boston Japan Film Festival (BJFF)

COUNT 100

Dir. Hiroshi Tamaki | 2023 | 20:00 | SciFi | Japan
Professional boxer Mitsuki was once the champion. One day, he was handed a mysterious leaflet on the street.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Oshirasama

Dir. Takako Saga | 2023 | 11:47 | animation | Japan
In this folktale of Japan's Tohoku region related to a mysterious folk belief called "Oshirasama,” a girl gets a horse from her father and takes care of it affectionately, then eventually, they fall in (carnal) love with each other. Maddened by the fact, the father kills the horse, but the horse's corpse takes the girl away with it to the other world up in the sky. To her weeping parents in despair, the girl appears in their dream and tells them about silkworms. With threads and cloth from the silkworms they keep, the girl's parents become able to earn their living, and they later make a pair of wooden figures after their daughter and the horse to worship as their gods.
In association With Aichi International Women’s Film Festival (AIWFF)

Minwoo and Rie

Dir. Jinrung Chun | 2022 | 26:19 | drama | Japan
Rie, from Japan, visits Gunsan, Korea, to deliver her grandfather’s unsent letter. With a help of a local boy, Minwoo, she gets closer to the addressee yet acknowledges what her grandpa did during the period of Japanese colonialism.
In association with Tokyo Independent Movie Festival (TIMF)

The Old Young Crow

Dir. Liam LoPinto | 2022 | 12:00 | mystery, thriller, animation | Japan
An Iranian boy befriends an old Japanese woman at a graveyard in Tokyo.
In association with New York Japan CineFest: FilmFreeway

Shuhari

Dir. Tatsuya Ino | 2023 | 12:36 | documentary | Japan, USA
Second screening

Day Two – Saturday, November 4 at 3:30 p.m.

“Long Story to Short”

Blue and White

Dir. Hiroyuki Nishiyama | 2022 | 27:22 | documentary | Japan, USA
Ryusuke, mourning his wife, ceaselessly crafts salt, even during her funeral. Witnessing this, granddaughter Midori probes his motives. Safeguarding the region's unique salt-making legacy is Ryusuke's mission. In conversing with salt, he strives to pass down its ancient flavor. Could Ryusuke's bond with salt link him to his departed wife?

Scabiosa

Dir. Tsuyoshi Takamura | 2022 | 19:47 | drama | Japan
Haruka is unexpectedly asked to attend the memorial service for Instagrammer Hina. At the service, Hina's relatives share their memories of her. Unable to bear the situation any longer, Haruka runs from the scene.
In association with Short Shorts Film Festival & Asia [SSFF & ASIA]

Nisei

Dir. Darren Haruo Rae | 2023 | 21:18 | drama, action | USA
Based on stories from Rae’s grandfather, Nisei follows the journey of two Japanese American brothers during World War II, Minoru and John Miyasaki. Stripped of their citizenship and placed in internment camps, they volunteer for the 442nd Regimental Combat Team, an all-Japanese American unit that sacrificed everything to prove their loyalty to a country that didn’t want them. Torn between country and family, they must face the enemy overseas along with adversity back home.

Don’t Go

Dir. Daichi Amano | 2023 | 24:46 | drama | Japan
Enter a world where fragments of memory of the dead can be accessed using a special device. A father, who lied about his whereabouts, dies in a car accident in a seaside town. His bereaved family dives into his memory to uncover his secret.

About New York Japan CineFest

NYJCF was founded in 2012 by three Japanese producers based in New York: Yasu Suzuki, an actor, dancer, and filmmaker; film director Kosuke Furukawa; and Hiroshi Kono, CEO of Mar Creation, Inc. The festival highlights independent filmmakers who are committed to expressing their voice and vision to the world. Their mission is to explore and find unique talent, supporting filmmakers' work, vision, and causes while providing a playground for creativity in New York City. Since 2015, the film festival has been invited to screen its programs in multiple cities, including Boston; Washington, D.C.; Houston; Los Angeles; and San Francisco. Follow them on Instagram.

JAA & JACL-NY TO SCREEN “BASEBALL BEHIND BARBED WIRE”

Baseball Behind Barbed Wire